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LISTINGDELUXE VINYL: LIMITED EDITION – Five 180 gram BLACK vinyl discs, with unique etchings on second side, in casebook with vinyl pockets and new artwork, in hard shell box.
This is the long awaited limited edition vinyl package of Tool’s Grammy winning and critically acclaimed album, Fear Inoculum. This package features five 180 Gram BLACK vinyl discs, with album tracks featured on Side A, and unique etchings featured on Side B. The discs are packaged in a hard shell box with new album art, and a bound casebook holding the vinyl along with new imagery not previously seen.
Tool members include drummer Danny Carey, guitarist Adam Jones, bassist Justin Chancellor and vocalist Maynard James Keenan.
Two decades into their journey as ritualistic black metal conjurers, WOLVES IN THE THRONE ROOM have emerged from the forest with Primordial Arcana, their most majestic album to date, and their first release via Relapse Records. Primordial Arcana is the band’s first completely self-contained work: In addition to composition and performance, brothers Aaron and Nathan Weaver alongside guitarist Kody Keyworth handled all aspects of recording, producing and mixing at their own Owl Lodge Studios in the woods of Washington state. The album’s title is a reference to the band’s ongoing reach back to the most ancient, archetypal energies. Leadoff track “Mountain Magick” sets the august tone with alpine guitar melodies cresting skyward in triumph. “Spirit of Lightning” returns briefly to the earthly plane as a tribute to the human connections forged in music. Meanwhile, “Primal Chasm (Gift of Fire)” is an explosion of cosmic grandeur, a symphonic rendering of the hermetic maxim As above, so below as envisioned by Keyworth. In fact, Primordial Arcana is the first WOLVES IN THE THRONE ROOM record in which Kody was a part of the writing process from the start, so it benefits from his background in cosmic funeral doom. Always uncompromising, Primordial Arcana sees WOLVES IN THE THRONE ROOM stay true to their unique vision. An album born out of the DIY ethos, Primordial Arcana proves to be the band’s most genuine and focused. One of the year’s most ambitious recordings, Primordial Arcana cements WOLVES IN THE THRONE ROOM’s legacy as one of US Black Metal’s most daring, unique, and quintessential bands.
We don’t typically look to pop albums to answer our cultural moment, let alone to meet the soul hunger left in the wake of global catastrophe. But occasionally, an artist proves the form more malleable and capacious than we knew. With Laurel Hell, Mitski cements her reputation as an artist in possession of such power - capable of using her talent to perform the alchemy that turns our most savage and alienated experiences into the very elixir that cures them.
Her critically beloved last album, Be the Cowboy, built on the breakout acclaim of 2016’s Puberty 2 and launched her from cult favorite to indie star. She ascended amid a fever of national division, and the grind of touring and pitfalls of increased visibility influenced her music as much as her spirit. Like the mountain laurels for this new album is named, public perception, like the intoxicating prism of the internet, can offer an alluring façade that obscures a deadly trap—one that tightens the more you struggle. Exhausted by this warped mirror, and our addiction to false binaries, she began writing songs that stripped away the masks and revealed the complex and often contradictory realities behind them.
She wrote many of these songs during or before 2018, while the album finished mixing in May 2021. It is the longest span of time Mitski has ever spent on a record, and a process that concluded amid a radically changed world. She recorded Laurel Hell with her longtime producer Patrick Hyland throughout the isolation of a global pandemic, during which some of the songs “slowly took on new forms and meanings, like seed to flower.” Sometimes it’s hard to see the change when you’re the agent of it, but for the lucky rest of us, Mitski has written a soundtrack for transformation, a map to the place where vulnerability and resilience, sorrow and delight, error and transcendence can all sit within our humanity, can all be seen as worthy of acknowledgment, and ultimately, love.
Private Space, the group’s third album, is a previously untapped vibe at the heart of The Indications. Pushing beyond the boundaries of the funk and soul on their previous releases, Private Space unlocks the door to a wider range of sounds and launches boldly into a world of synthy modern soul and disco beats dotted with strings. It’s an organic, timeless record that’s as fresh as clean kicks and familiar as your favorite well-worn LP. Developed after being apart for much of the year, Private Space is creatively explosive and delights in upending expectations. Its 10 tracks are both an escapist fantasy and a much-needed recentering after a tumultuous 2020. Throughout, The Indications highlight a collective resiliency – as well as the power of a good song to be a light in the darkness.
Durand Jones & The Indications have long provided the soulful soundtrack for such deep thoughts, both on stage and on your turntable. But as the world slowly resets from the chaos of the past year, Durand Jones & The Indications’ Private Space is arriving at just the right time.
Written, recorded, and completed during lockdown, CARNAGE is the first studio album from Nick Cave & Warren Ellis outside of the Bad Seeds and their many soundtrack collaborations.
The eight song project - developed amidst the downtime of a long, anxious, global emergency - showcases Cave & Ellis’ typical sonic and lyrical adventurism and stands as a quintessential record for these uncertain times.
CARNAGE is shot through with moments of distilled beauty and resonating with an almost defiant sense of hope. In Cave's own words, it is "a brutal but very beautiful record nested in a communal catastrophe."
Following their last release, The Day Before Halloween - an imaginative, distorted-synth-driven concept album - Atmosphere returns with a refreshing new project, simply titled WORD? Steering back toward their signature sound, the album further highlights producer Ant's undeniable talents as the project leans into the classic boom-bap aesthetic, bringing a unique energy out of Slug's wisdom, wit and delivery. From onset, WORD? proves to be every bit an exercise in refining and advancing their craft as it is a harkening to earlier work. That is, while their releases have grown more broodingly cinematic, and increasingly concerned with the human condition and mortality, WORD? manages to reintroduce moments of levity and lightheartedness throughout, an approach seldom heard on their albums of late.
Zapp & Roger
All The Greatest Hits [140g Neon Violet and Magenta / Orange and Pink 2LP]
The band's first Greatest Hits compilation from their first four albums, originally released on Reprise in 1993. Includes "More Bounce To The Ounce" sampled by The Notorious BIG, and "Computer Love" sampled by "2Pac. On two-color per LP Violet and Magenta / Orange and Pink 140g colored vinyl.
Big Mess marks Elfman’s first solo collection in more than thirty years, but it’s no return to form. Clocking in at 18 tracks, the sprawling, ambitious double album finds the Grammy and Emmy Award-winning composer breaking bold new ground as both a writer and a performer, drawing on a dystopian palette of distorted electric guitars, industrial synthesizers and orchestra in an effort to exorcise the demons brought about by four years of creeping fascism and civil rot.
The songs here call to mind everything from Nine Inch Nails, to David Bowie to XTC at times, balancing dense, harmonically complex arrangements with biting, acerbic wit as they reckon with the chaos and confusion of the modern world. Elfman wrote almost all of the record during quarantine, and while the anger, frustration, and isolation of it all is palpable in his delivery, Big Mess is about more than simply blowing off steam. In making the space to truly sit with his emotions and write without limitations, Elfman achieved a kind of artistic liberation on the record that had been eluding him for decades, rediscovering his voice and reinventing himself all at once in the process.
Born and raised in southern California, Elfman began his career as part of a surrealist, avant-garde musical theater troupe known as The Mystic Knights of Oingo Boingo. The group would eventually morph into the critically acclaimed rock band Oingo Boingo, whose high-energy performances and genre-bending sound garnered them a fanatically devoted cult following in the 1980s and ’90s. Among the group’s early fans was fledgling director Tim Burton and Paul Reubens (aka Pee-wee Herman), who enlisted Elfman to score their first feature film, Pee-wee’s Big Adventure. The collaboration would prove to be the start of a long and fruitful partnership for Elfman and Burton, with Elfman going on to score a string of iconic Burton features like Batman, Beetlejuice, Big Fish, Edward Scissorhands, and The Nightmare Before Christmas. To date, Elfman has scored more than 100 films.
Faith No More
Who Cares A Lot?: The Greatest Hits [Indie Exclusive Limited Edition Clear 2LP]
Faith No More's Greatest Hits presented on 2LP, clear color vinyl.
Sleater-Kinney's 10th studio album was recorded in Portland, Oregon during the summer of 2020 ' against a backdrop of social unrest, devastating wildfires, and a raging pandemic. It's music for an imagined togetherness. This marks the first Sleater-Kinney album produced by the band members themselves.
Amigo The Devil has become a dark folk anomaly drawing attention from everyone from the likes of Noisey, Consequence of Sound, Kerrang, Brooklyn Vegan and more. LA Weekly described him as “Johnny Cash at his blackest, mixed with Father John Misty, if he exhumed graves at Hollywood Forever Cemetery.” While Rolling Stone proclaimed, “Kiranos unflinchingly explores dark and grim subject matter from suicide to serial killers… he spins these topics into dark love songs that explode into heavy-metal catharsis. He also balances out this bleak material with an undercurrent of humor that really translates in his gregarious live performances.
Japan-born singer and producer Joji is a multi-talented visionary, with a cult following from every corner of the inter- net. Joji is one of the most enthralling artists of the digital age. He has a total vision for his work, not just in the writ- ing and producing of his music, but artwork, videos, merch, and live performances as well. It’s a fully realized world that his fans can inhabit and explore—and see themselves in. “My music is not biographical,” he says, but even still, the deep, heavily shaded emotions in his songs are genuine and they speak to anyone who has ever felt stuck on the outside looking in, who knows what it means to not belong. In 2019, Joji sold-out his North America tour within minutes and performed at some of the most coveted festivals across the world, including Reading & Leeds in the UK and Lollapalooza. As Joji surpasses 3.7 billion global streams, 2020 promises to be his biggest year to date. Joji’s RIAA Gold-certified first full-length album BALLADS 1 was released in October of 2018 and has 2.2B+ streams to date. The album debuted #1 on the Billboard R&B/Hip Hop chart making him the first artist from Asia to do so. The album intimates a spectrum of conflicts and experiences in romantic relationships — from desire, unattainable love, torment, to self-loathing. BALLADS 1 also represents Joji’s evolution as an artist since the release of his debut EP In Tongues in November 2017. The album is mostly self-produced, with notable collaborations from producers Shlohmo, Clams Casino, Thundercat, RL Grime, Patrick Wimberly, and Jam City. Joji’s sophomore studio album, Nectar, has already garnered 488M+ streams across all singles –with “Sanctuary” earning RIAA Gold certification. Reacting to these singles, critics have already recognized Joji’s growth as an artist from BALLADS 1 to Nectar. Featuring production from Bekon & The Donuts (Kendrick Lamar’s DAMN., Rich Brian’s The Sailor), Justin Parker (Lana Del Rey’s “Born To Die”, Rihanna’s “Stay”), Kenny Beats (Ed Sheeran’s “Take Me Back To London” and DaBaby’s “Toes”), Justin Raisen (Yves Tumor’s Safe in the Hands of Love, Ariel Pink’s Pom Pom), and more, the album’s thematic and sonic diversity remains unified by Joji’s lyricism and tone. With features from some of the world’s most promising young talent, Nectar is set to be Joji’s biggest release to date.
After two UK #1 albums, 2 million album sales and an array of international acclaim, you might’ve thought you knew what to expect from Royal Blood. Those preconceptions were shattered when they released ‘Trouble’s Coming’ last summer. Hitting a melting pot of fiery rock riffs and danceable beats, they delivered something fresh, unexpected and yet entirely in tune with what they’d forged their reputation with.
When Mike Kerr and Ben Thatcher sat down to talk about making a new album, they knew what they wanted to achieve. It involved a conscious return to their roots, back when they had made music that was influenced by Daft Punk, Justice, and Philippe Zdar of Cassius. It also called for a similar back-to-basics approach to what had made their self-titled debut album so thrilling, visceral and original.
“We sort of stumbled on this sound, and it was immediately fun to play,” recalls Kerr. “That’s what sparked the creativity on the new album, the chasing of that feeling. It’s weird, though - if you think back to ‘Figure it Out’, it kind of contains the embryo of this album. We realised that we didn’t have to completely destroy what we’d created so far; we just had to shift it, change it. On paper, it’s a small reinvention. But when you hear it, it sounds so fresh.”
Those traits pulsate throughout the new single and title track. Kerr’s spiralling bass riff casts an hypnotic allure as it grows in intensity, while his vocals switch at will between a raw rock roar and a soulful falsetto. It’s underpinned by Thatcher’s thundering beats, his taut rhythms infused with groove-laden hi-hats.
After setting the tone with ‘Trouble’s Coming’, the album opens in breathless, take-no-prisoners style with the fierce metallic grooves of ‘Who Needs Friends’ hitting an early visceral peak. Royal Blood further reference their fresh array of influences by deploying vocodered vocals on ‘Million & One’ before dynamically switching between the biggest contrasts of their sound with ‘Limbo’. Already a fan favourite having been a regular during the duo’s 2019 shows, ‘Boilermaker’ lives up to its reputation and is more than matched by ‘Mad Visions’, which evokes a hyper-aggressive Prince. It ends with a final surprise in the shape of the stark piano ballad ‘All We Have Is Now’, a vulnerable and revealing reminder to live in the moment.
This new approach manifested itself in the duo’s decision to produce the majority of ‘Typhoons’ themselves. ‘Boilermaker’ was produced by Queens of the Stone Age frontman Josh Homme, the two bands having first connected when Royal Blood supported them on a huge North American tour. Meanwhile, the multiple Grammy Award winner Paul Epworth produced ‘Who Needs Friends’ and contributed additional production to ‘Trouble’s Coming’.
Leon Vynehall returns with new album ‘Rare, Forever’ — the follow up to his critically acclaimed debut album ‘Nothing Is Still’, which garnered widespread praise including appearing in ‘Album of the Year’ lists from Rough Trade, Mixmag, Esquire, Resident Advisor and received an 8.2 review from Pitchfork (also included in their Albums of the week roundup).
Vynehall has collaborated with Eric Timothy Carlson and Aaron Anderson (both Grammy nominated for their work with Bon Iver) on the 'Rare, Forever' artwork and imagery .
The Million Masks of God showcases the strength and boundary-pushing invention of Manchester Orchestra’s catalog, and is a testament to the kinship of its songwriting duo—the bond that enables them to take something so tragically personal and turn it into limitless, compassionate, communal, revelatory art.
The Million Masks of God showcases the strength and boundary-pushing invention of Manchester Orchestra’s catalog, and is a testament to the kinship of its songwriting duo—the bond that enables them to take something so tragically personal and turn it into limitless, compassionate, communal, revelatory art.
On her second full-length record, Head of Roses, Jenn Wasner follows a winding thread of intuition into the unknown and into healing, led by gut feelings and the near-spiritual experience of visceral songwriting. The result is a combination of Wasner’s ability to embrace new levels of vulnerability, honesty and openness, with the self-assuredness that comes with a decade-plus career as a songwriter, producer, multi-instrumentalist and prolific collaborator. Simply put, Head of Roses is a record about heartbreak, but from a dualistic perspective. It’s about the experience of having one’s heart broken and breaking someone else’s heart at the same time. But beyond that, it’s about having to reconcile the experience of one’s own pain with the understanding that it’s impossible to go through life without being the source of great pain for someone else. “Part of the journey for me has been learning to take responsibility for the parts of things that are mine, even when I’m in a lot of pain through some behavior or action of someone else. If I’m expecting to be forgiven for the things I’ve done and the choices I’ve made and the mistakes that I’ve made, it would be incredibly cowardly and hypocritical to not also do the work that’s required to forgive others the pain they caused me.” Showcasing the depth of Wasner’s songwriting capabilities and the complexity of her vision, Head of Roses calls upon her singular ability to create a fully-formed sonic universe via genre-bending amalgamation of songs and her poetic and gut punch lyrics. It’s the soundtrack of Wasner letting go – of control, of heartbreak, and of hiding who she is: “I think I’ve finally reached a point in my career where I feel comfortable enough with myself and what I do, that I’m able to relax into a certain simplicity or straight forwardness that I wasn’t comfortable with before.” Head of Roses puts Wasner’s seismically powerful voice front and center. Those vocals help thread it all together -- it’s a textured musicality, quilted together by intentionality and intuition. Wasner and producer Nick Sanborn (Sylvan Esso, Made of Oak) assembled Head of Roses in the same way you’d put together a mixtape, painstakingly and carefully melding disparate parts into a whole, transcending genre to weave a story of heartache and healing together. And in the same way a homemade, painstakingly-crafted mixtape plays out, with the maker’s fingerprints left all over its songs – so goes Head of Roses. Carefully curated and culled from the depths of Wasner’s heartbreak and healing, it’s deeply, intensely personal. But just as we change ourselves by embracing the pain of loss and uncertainty, so too are the purpose of these songs changed through the act of creating them. Having succeeded in healing the person who made them, they now exist for those who find them in their own moments of need. Always in motion, the original spirit of creation has already flown from this place—but it’s left behind a blueprint, a tool for you, to lean on, too.
Collection of unreleased demos of written for the sixth PJ Harvey studio album Uh Huh Her, including demos of ‘The Letter’ and ‘Shame’. Features brand new artwork with previously unseen photos by Maria Mochnacz. Artwork is overseen by Maria with Rob Crane. Mastering by Jason Mitchell at Loud Mastering, under the guidance of longtime PJ Harvey producer Head.
Reissue on vinyl of the sixth PJ Harvey studio album Uh Huh Her. The album was self-produced and originally released in May 2004. Uh Huh Her features the singles ‘The Letter’, ‘You Came Through’ and ‘Shame’. Reissue is faithful to the original recording and package, with cutting by Jason Mitchell at Loud Mastering under the guidance of longtime PJ Harvey producer Head.
Here is Sweep It Into Space, the fifth new studio album cut by Dinosaur Jr.. during the 13th year of their rebirth. Originally scheduled for issue in mid 2020, this record's temporal trajectory was thwarted by the coming of the Plague. But it would take more than a mere Plague to tamp down the exquisite fury of this trio when they are fully dialed-in. And Sweep It Into Space is a masterpiece of zoned dialing. Recorded, as usual, at Amherst's Biquiteen, the sessions for Sweep It Into Space began in the late Autumn of 2019, following a West Coast/South East tour. The only extra musician used this time with Kurt Vile. Indeed, Sweep It Into Space is a very cool album. As is typical, Lou Barlow writes and sings two of the album's dozen tunes and Murph's pure-Flinstonian drumming drives the record like a go cart from Hell. Lou's songs here are as elegant as always. But there are very few moments where you wouldn't know you were hearing Dinosaur Jr. In blindfolded needle drop. They have a signature sound as sure as the Stooges or Sonic Youth or Discharge ever did. They continue to expand their personal universe with Sweep It Into Space, without ever losing their central core.
The debut feature written, produced and directed by Marnie Ellen Hertzler. Set in the desert of Crestone, Colorado over the course of eight days and set to an original score composed by Animal Collective's Geologist & Deakin. Crestone follows a group of SoundCloud rappers who live in solitude, growing weed and making music for the internet. When an old friend arrives to make a movie, reality and fiction begin to blur.
2LP Stereo Deluxe Remastered Edition featuring the original album plus 12 bonus tracks, Rare Photos and Memorabilia, Psychedelic Poster, and track by track liner notes.
THE WHO SELL OUT 2LP Deluxe Vinyl Reissue Edition! Initially released in December 1967 and described latterly by Rolling Stone as 'The Who's finest album' The Who Sell Out reflected a remarkable year in popular culture. As well as being forever immortalised as the moment when the counterculture and the 'Love Generation' became a global phenomenon and 'pop' began metamorphosing into 'rock'. [Stereo]
Scott Pilgrim vs. The World [Movie]
Scott Pilgrim vs. The World (Original Motion Picture Score) [Teal Blue 2 LP]
This year marks the tenth anniversary of the theatrical release of Universal Pictures' Scott Pilgrim vs. the World. The film adaptation by director Edgar Wright (Hot Fuzz, Baby Driver) of Bryan Lee O'Malley's graphic novel series stars Michael Cera, Mary Elizabeth Winstead and Kieran Culkin and has since become a cult classic.
This marks the first time ever that Godrich's score will get a vinyl release, which will be available on a blue vinyl 2-LP set, also on March 26. Also, available in a deluxe 4LP "Seven Evil Exes" picture disc set.
Scott Pilgrim vs. the World finds Cera's character smitten by Ramona Flowers (Winstead) and having to battle her seven evil exes who are out to kill him. Interwoven into the plot is a plethora of fictitious music groups acting out the performances of original compositions by real recording artists. Under the direction of producer Godrich (Radiohead, Paul McCartney, U2), Beck provided the music for Scott's low-fi garage band Sex Bob-Omb, Canadian synth-rockers Metric did the same for The Clash at Demonhead (fronted by Brie Larson), Broken Social Scene wrote and recorded for Crash and the Boys, and faux DJ duo Katayanagi Twins were brought to life by Cornelius. In some cases, the finished songs incorporate actual vocal and instrumental contributions from the actors who appear in the film.
Scott Pilgrim vs. the World finds Cera's character smitten by Ramona Flowers (Winstead) and having to battle her seven evil exes who are out to kill him. Interwoven into the plot is a plethora of fictitious music groups acting out the performances of original compositions by real recording artists. Under the direction of producer Godrich (Radiohead, Paul McCartney, U2), Beck provided the music for Scott's low-fi garage band Sex Bob-Omb, Canadian synth-rockers Metric did the same for The Clash at Demonhead (fronted by Brie Larson), Broken Social Scene wrote and recorded for Crash and the Boys, and faux DJ duo Katayanagi Twins were brought to life by Cornelius. In some cases, the finished songs incorporate actual vocal and instrumental contributions from the actors who appear in the film.
Wright and Godrich worked together for a two-year period, during which they essentially cast ultimate fantasy bands and got non-musician actors to learn their respective instruments with the aid of Chris Murphy from the band Sloan. The original soundtrack, which went to #2 on the Billboard soundtrack chart, also includes songs by Frank Black, Beachwood Sparks, Black Lips, T. Rex, Blood Red Shoes, The Rolling Stones and The Bluetones.
Edgar Wright, who in the last decade has written/directed The World's End and Baby Driver and has directed the upcoming psychological thriller Last Night in Soho, waxes nostalgic about the music of Scott Pilgrim vs. the World. He commented, "It's been ten years since Scott Pilgrim first made it to the big screen and I think the fact that it's become so enshrined in the consciousness of so many for so long is due, in no small part, to the fact that the action was so music-driven. The Scott Pilgrim soundtrack and the score have played a huge role in making this an enduring phenomenon."
Since its release, Scott Pilgrim vs. the World (Original Motion Picture Soundtrack) has received many accolades. UK's The Independent ranked it at number 4 out of "the 40 greatest film soundtracks of all time," declaring that Wright "found a way to seamlessly integrate his soundtrack into Scott Pilgrim vs. the World's narrative." It was also included on Alternative Press's list of "16 Fantastic Movie Soundtracks You Need To Hear." "We Are Sex Bob-Omb" won the 2010 Houston Film Critics Society Award for Best Original Song.
FEATURES:
- Limited 10th Anniversary Edition On Double Vinyl LP!
- Double Vinyl LP
- Pressed On Blue Color Vinyl!
- 1st Time On Vinyl
- Includes Nigel Godrich's Score For the 1st Time On Vinyl LP!
Scott Pilgrim vs. the World (Original Score)
Finding Wildflowers (Alternate Versions)—the latest offering of Tom Petty music, curated with help from his loving family, bandmates and collaborators—will be released on April 16 via Warner Records. The tracks, which were previously released on the limited-edition Super Deluxe 9-LP version of 2020’s Wildflowers & All The Rest, will now be available on limited edition gold vinyl for indie retail, and CD. A black vinyl release will follow on May 7.
Finding Wildflowers (Alternate Versions) features 16 studio recordings of alternate takes, long cuts and jam versions of Wildflowers songs as Tom, band members and co-producer Rick Rubin worked to finalize the album in 1994. The release offers fans further deep access into the writing and recording of Wildflowers, as well as realizing the full vision of the project as Tom had always intended.
The collection was produced by Tom’s longtime engineer and co-producer Ryan Ulyate who listened to 245 reels of 24-track tape, revealing Tom and his collaborators’ evolutionary process, and finding the group willing to do whatever it took to discover the essence and magic in the material.
Deftones
White Pony: 20th Anniversary [Indie Exclusive Limited Edition Super Deluxe]
Vinyl: $74.98 Buy
Indie Exclusive includes a litho print (the grey print of the OG album cover.)
On June 20, 2000, Deftones released their third studio album, White Pony, which was immediately acclaimed as a masterpiece by fans and critics alike. Fueled by the successful singles "Change (In the House of Flies)" and "Digital Bath," the album is the band's highest selling album and is certified platinum by the RIAA. The band also won the 2001 Grammy for Best Metal Performance for the song "Elite."
In the 20 years since release, the album has continued to grow in stature and influence. Inspired by DJ Shadow's Entroducing..., Deftones had the idea to have DJ Shadow reimagine the entire White Pony album, and call it Black Stallion. Twenty years later, Deftones hand-picked a diverse and brilliant collection of artists, including DJ Shadow, to make that idea a reality.
White Pony (20th Anniversary Edition) is now being re-issued with Black Stallion as the bonus disc. Black Stallion is an album of newly commissioned remixes (all done in 2020) of the 11 tracks on the original release of White Pony. Black Stallion includes remixes of each of the individual 11 tracks from the original White Pony album by different artists including DJ Shadow, Robert Smith, Squarepusher and Mike Shinoda.
Greta Van Fleet
The Battle At Garden's Gate [Indie Exclusive Limited Edition White 2LP]
After three years, one-million concert tickets sold across five continents, four consecutive #1 singles, a GRAMMY Award, and performances on The Tonight Show Starring Jimmy Fallon and Saturday Night Live, GRETA VAN FLEET is hurtling into the future with its second album, The Battle at Garden's Gate on Lava/Republic Records. Indie Exclusive on white vinyl.
Released in 1985, Back To The Future has been a staple for fans of classic 80s movies. Travel back in time with the iconic soundtrack with songs like "Earth Angel," "Johnny B. Goode," and Huey Lewis & The News' "The Power Of Love." Now available on standard black vinyl.
Laurie Anderson’s 1982 debut album,Big Science, will return to vinyl for the first time in thirty years with a new red vinyl edition due April 9 on Nonesuch Records. The vinyl includes the re-mastered original album first released on CD for the 25th anniversary of Big Scienceon Nonesuch in 2007.
A surprise cassette released April 2020, Songs for Pierre Chuvin is the Mountain Goats’ first all-boombox album since 2002’s All Hail West Texas. After selling over 4000 cassettes in a matter of minutes, the avid Mountain Goats fanbase has demanded more and we are happy to acquiesce! Songs for Pierre Chuvin will be available on CD and LP on March 26, 2021.
2020 was a terrible year for gardening. It was terrible for peppers, it was terrible for tomatoes, it was terrible for the condition of the soul. But Chad VanGaalen somehow raised a garden all the same: carrots and sprouts and broccoli and a revivifying new album, all of them grown at home. He likes to eat directly off the plant, he says—"I get down on my knees and graze. It's nice to feel the vegetables in your face"—and the 13 songs on World's Most Stressed Out Gardener were harvested with just such a spirit: in their raw state, young and vegetal, at the very moment, they were made. What that means is that the Calgary songwriter's new album is a psychedelic bumper crop. A collection of tunes that does away with obsessiveness, the anxiety of perfectionism, in favor of freshness and immediacy — capturing the world as it was met while recording alone at home over a period of years. "Don't overthink it," VanGaalen told himself again and again, despite the push/pull love/hate of his relationship with songwriting. "I'm always trying to get outside of the song—but then I realize I love the song." This is a record that gleams with VanGaalen's musical signatures: found sound, reverb, polychromatic folk music that is by turns cartoonish and hyperphysical—like ultra magnified footage of a virus or a leaf. Apparently, the LP began life as a "pretty minimal" flute record. (There's only a vestige now, on "Flute Peace"—one of three instrumentals.) Later it became an electronic record "for a while" and finally, "right at the last second," it "turned into a pile of garbage." The good kind of garbage: glinting, useful, free. Music as compost—leaves, and branches ready to be re-ingested by the earth, turned into a flower. Throughout these 40 minutes, VanGaalen floats from mania to solace to oblivion, searching for zen in all the wrong places. "Turn up the radio / I think we’re dead," he sings on "Nothing Is Strange"; or, on the inside-out rocker "Nightmare Scenario": "You’re stressed out when you should be feeling very well." The singer's mental landscape is rotting and redemptive, beautiful in spite of itself—and his soundscapes reflect this fertile decay. He has been influenced by his instrumental work on TV scores (Dream Corp's third season began this fall), but still "nothing can really replace the human voice,” he admits. Like Arthur Russell or Syd Barrett, it’s VanGaalen’s vocals that shine a path through the swampland—from the cello-lashed “Water Brother” to “Starlight”’s krautrock pipe-dream. These days, VanGaalen cherishes the privacy of the studio, the capacity to wander around, get distracted, and "move at the speed of life." Whereas once he would obsess over mic techniques, now he puts the microphone in the same place every time—trying to capture a song quickly, the idea at its heart. He'll act on his infatuations—for the flute, a squeaky clarinet, his basement's copper plumbing (remade into xylophones for "Samurai Sword")—and then he'll try to get out, "veering away from responsibility," before he overdoes his stay. In the end, it's like gardening. You have to live with your horrible decision-making; the weather's going to fuck you if it wants to; and if you plant a hundred heads of broccoli, "now you gotta eat a hundred heads of broccoli—or watch them go to seed." But mostly VanGaalen just tries to be a deer: "I remember seeing some deer come out in the Okanagan Valley once," he says, "watching them wait for a sunbeam to hit a perfect bunch of grapes—and then eating them right out of the sunbeam. I'd recommend that."
Just a few weeks after the surprise release of the Cuttin' Grass (Vol. 1): Butcher Shoppe Sessions album—which Uproxx called “the most sublime and delightful music he’s yet made on record”—Sturgill Simpson returns with the next installment of his bluegrass series, Cuttin' Grass (Vol. 2): The Cowboy Arms Sessions. The genre-defying singer/songwriter reconvened an A-Team of acoustic players (now dubbed "The Hillbilly Avengers") for another round of reinterpretations of his catalogue, this time largely focusing on 2016's A Sailor's Guide to Earth, which won the Grammy for Country Album of the Year and was nominated for Album of the Year. This volume also includes "Jesus Boogie," originally performed by Simpson's first band, Sunday Valley, and two previously unreleased songs, "Tennessee" and "Hobo Cartoon," the latter of which was co-written with the incomparable Merle Haggard—who once said that Simpson was "about the only thing I've heard that was worth listening to in a long time."
Cuttin' Grass Vol. 1 (Butcher Shoppe Sessions) is now available on Vinyl & CD.
Death From Above 1979 , is the boundary pushing musical alliance made up of Sebastien Grainger and Jesse F. Keeler. Is 4 Lovers, produced, mastered and recorded entirely by themselves, captures the creation of a totally new sound and a reimagining of the format they created more than 20 years ago.
“Skegss have cemented themselves as one of the most intoxicating acts to come out of Australia in years.” – Rolling Stone. Skegss are an Australian 3-piece power trio originally from Byron Bay. They combine surf, garage, and slacker elements to create their dynamic sound. The band – comprised of Benny Reed (guitar and vocals), Toby Cregan (bass and vocals) and Jonny Lani (drums).
El Michaels Affair
Yeti Season [Indie Exclusive] (Clear Blue Vinyl) (Blue) [Clear Vinyl]
Vinyl: $22.98 Buy
In the late 1970’s Athens, Georgia was buzzing with a raw but sophisticated music scene. The turn of the decade began producing new sounds from bands like the B-52’s, R.E.M. and Art-Rock luminaries, Pylon. Before they were a band, Pylon were art-school students at the University of Georgia: four kids invigorated by big ideas about art and creativity and society. In 1980 the band released its first record, Gyrate and began touring across the country in support of the release. They would soon develop a following across the country. Shortly thereafter, Pylon went back into the studio. They gleefully pulled their songs apart and put them back together in new shapes, revealing a band of self-proclaimed non-musicians who had transformed gradually but noticeably into real ones. The resulting album was, Chomp. Now, more than three decades later, both studio recordings have been remastered from their original audio tapes and are set for release on New West Records.
In the late 1970’s Athens, Georgia was buzzing with a raw but sophisticated music scene. The turn of the decade began producing new sounds from bands like the B-52’s, R.E.M. and Art-Rock luminaries, Pylon. Before they were a band, Pylon were art-school students at the University of Georgia: four kids invigorated by big ideas about art and creativity and society. In 1980 the band released its first record, Gyrate and began touring across the country in support of the release. They would soon develop a following across the country. Shortly thereafter, Pylon went back into the studio. They gleefully pulled their songs apart and put them back together in new shapes, revealing a band of self-proclaimed non-musicians who had transformed gradually but noticeably into real ones. The resulting album was, Chomp. Now, more than three decades later, both studio recordings have been remastered from their original audio tapes and are set for release on New West Records.
ASSEMBLY showcases carefully curated singles, fan favorites, and archival rarities from the JOE STRUMMER solo catalog. This 16-track compilation features three previously unreleased versions of classic Clash tracks, including the never-before-heard “Junco Partner (Acoustic)” and electrifying live performances of “Rudie Can’t Fail” and “I Fought The Law,” the latter two of which were recorded by Joe Strummer and the Mescaleros at London’s Brixton Academy on November 24, 2001.
George Harrison’s passion for introducing the world to new music expressed itself in May of 1974 when he created his own new label – DARK HORSE RECORDS. The label contained a variety of talented artists on its roster, including George himself. ASSEMBLY marks the first new JOE STRUMMER title released via the newly relaunched Dark Horse Records.
Album comes on 180g double vinyl in Gatefold Sleeve
All tracks remastered by Grammy Award Winner Paul Hicks (The Beatles/George Harrison/ The Rolling Stones/John Lennon)
Package includes new written foreword by Jakob Dylan
Tune-Yards ' the celebrated Oakland- based duo of Merrill Garbus & Nate Brenner ' release sketchy. , their fifth album and their first album in 3 years, on March 26. Teased last fall with single 'nowhere, man', the album is being announced with the lead track 'hold yourself'; a moment of self-realisation - 'We all have trouble being brave enough to turn the page'.
Just two months after the release of his seminal album After The Gold Rush, Neil Young played a solo show at The Shakespeare Theater, Stratford, CT on January 22 1971. The show was filmed and recorded, and the concert shown on German TV later in 1971.
In 2020, while Neil and his team were reviewing his Archive for future projects, Neil re-visited the 16mm film and audio recording of this show that had been preserved in the Archive for almost 50 years. Piecing together the tapes and footage, Neil realized that he had the full concert – the film of which is the earliest live footage of Neil performing that is known to exist.
Neil has written on NYA that this show is “superior to our beloved “Massey Hall”. A more calm performance, without the celebratory atmosphere of Massey Hall, captured live on 16mm. “Young Shakespeare” is a very special event. To my fans, I say this is the best ever.”
As an insight into Neil’s prolific song writing at the time, the concert features two songs from the recently released After The Gold Rush but four songs from the classic Harvest album that was still over a year away from being released. The wonderful set list also includes acoustic renditions of favorites such as “Ohio”, “Cowgirl In the Sand”, “Helpless”, “Down By The River” and “Sugar Mountain”.
The ancient analog tapes have been lovingly restored – resulting in (as Neil says on NYA) “one of the most pure sounding acoustic performances we have in the Archive”.
This beautiful concert is being released on LP and CD, plus a deluxe boxed edition that includes both LP and CD and, for the first time ever, a DVD of the concert.
Young Shakespeare is being released almost exactly 50 years after the original performance.
Green to Gold is the much-anticipated new album from New York based, Indie/Folk band, The Antlers. Perhaps what distinguishes Green to Gold from the rest of The Antlers’ canon is its, well, sunniness. Conceived and written almost entirely in the morning hours, Green to Gold is the band’s first new music in nearly seven years, and easily their most luminous to date. ”I think this is the first album I’ve made that has no eeriness in it,” singer and primary songwriter Peter Silberman asserts. “I set out to make Sunday morning music.”
The brighter outlook emerged, paradoxically, after a succession of ominous events. In 2015, Silberman suffered with an auditory condition that made touring near impossible and he retreated to the quiet of Upstate New York to heal. His return in 2017 with a solo album was short lived when he was diagnosed with lesions on his vocal chords, which required surgery and again a quiet rest and recovery period. Silberman explains. “I took these health obstacles as a sign that I should change course for a little while. I hadn’t made a full stop like that since The Antlers began.”
But he still felt the strong pull to spend time and work with longtime drummer Michael Lerner, and frequently invited him up to visit the idyllic hamlet he now called home. The two friends’ days typically involved long walks in the woods, but routinely ended up in Silberman’s converted-garage studio. “I would record him playing drums in the studio while he listened to old soul and R&B songs in headphones... and those drum recordings ultimately served as starting points for the songs that followed. At the time, we were merely attempting to make music together again, without really knowing how to approach it, or to what end.”
“I think the shift in tone is the result of getting older. It doesn’t make sense for me to try to tap into the same energy that I did ten or fifteen years ago, because I continue to grow as a person, as I’m sure our audience does too. Green to Gold is about this idea of gradual change,” he sums up. “People changing over time, struggling to accept change in those they love, and struggling to change themselves. And yet despite all our difficulty with this, nature somehow makes it look easy.”
To celebrate the 10th anniversary of its release, Tame Impala present a deluxe, 4LP reissue of their debut album InnerSpeaker. This expanded, deluxe edition of the album features the singles `Solitude Is Bliss', `Lucidity', `Expectation', plus: a collage of album sketches, an unearthed, side-long jam, new mixes of tracks off the original album, instrumentals, and a deluxe 40-page booklet. InnerSpeaker's artwork is by Leif Podhajsky, and the album was mixed by Dave Fridmann.
Valerie June
The Moon And Stars: Prescriptions For Dreamers [Indie Exclusive Limited Edition White LP]
Produced by Jack Splash (Kendrick Lamar, Alicia Keys, John Legend) and Valerie June, the new album The Moon and Stars: Prescriptions for Dreamers achieves a transcendent effect thanks in no small part to the splendor of its sound, an exquisitely composed tapestry of folk, soul, gospel, country, blues, psychedelia, and time-bending symphonic pop. The result is a selection of songs both ornate and elegant, each moment crafted with a profound awareness of what’s most essential in creating enduring beauty. The follow-up to Valerie June’s widely adored The Order of Time—a 2017 effort that earned the admiration of Bob Dylan and landed on best-of-the-year lists from the likes of Rolling Stone and the New York Times— The Moon and Stars: Prescriptions for Dreamers is a potent catalyst for that kind of magic. With her spellbinding vocals and infectious sense of wonder, Valerie June gently eases the listener into a far more charmed state of mind, one that quickly restores a powerful feeling of joyful possibility.
Just as STATE'S END summons the gamut of Godspeed's constituent sonic trademarks, so the album artwork spans the entirety of the band's visual history: the grainy monochromatic photography of recent releases finds its way onto the inner sleeves, while the gatefold cover art harkens back to the iconic graphics of earlier classic records like Slow Riot For New Zero Kanada and Lift Your Skinny Fists Like Antennas To Heaven. STATE'S END features illustrations by William Schmiechen, with the front cover taijitu flowers and back cover tear gas canisters rendered in raised thermographic black ink on the double-vinyl album jacket. The illuminated cross from Godspeed's debut F#A#8 also makes a reappearance on the inside gatefold drawing, in recurrent homage to the electrified hilltop landmark crucifix of the band's Montreal hometown.
STATE'S END was recorded and mixed in Montreal in October 2020 at the group's homebase studio Thee Mighty Hotel2Tango by Jace Lasek, the veteran award-winning indie producer (and co-founder of The Besnard Lakes) who works with Godspeed for the first time on this recording.
Neil Young and Reprise Record sare pleased to announce the 50th Anniversary Edition of Young’s classic record After the Gold Rush, which will arrive on CD on December 11. The deluxe vinyl box set will follow on March 19. Originally released September 19, 1970,After the Gold Rushis cemented in the annals of music history—the album has often been rightly recognized as one of the finest ever made. The collection combined Young’s poetic lyricism and wistful melodies, driven by both dreamy folk arrangements and ferocious rock ‘n’ roll, and in the decades since has been certified double platinum in both the U.S. and the U.K.The 50th Anniversary Edition vinyl boxset features a variant of the artwork, originally created by Neil’s long-time art directorGary Burden, made in collaboration with Grammy Award-winning artistJenice Heo. The set also includes a 7” single in a picture sleeve with two versions of album outtake “Wonderin’.” Side A, originally included in The Archives Vol. 1: 1963-1972, was recorded in Topanga, California, in March 1970, and Side B is a previously unreleased version recorded at Sunset Sound in Hollywood in August 1969. A litho print of the album’s front cover is exclusively included in this vinyl box set. The CD format of the 50th Anniversary Edition includes the new artwork and both versions of“Wonderin’.”
No One Sings Like You Anymore is Chris Cornell's handpicked collection of 10 cover songs, which he personally selected and sequenced to celebrate artists and songs that inspired him, including John Lennon's "Watching The Wheels," "Get It While You Can," popularized by Janis Joplin, a new recording of Prince's "Nothing Compares 2 U," and two songs currently available as digital singles, Lorraine Ellison's "Stay With Me Baby" and Chris's 2020 hit "Patience" originally recorded by Guns N' Roses.
Paul Stanley's Soul Station is a new project from the legendary lead singer of KISS, Paul Stanley. Paying homage to influences of his youth, Stanley has called upon a set of seasoned musicians to record a set of classic Motown covers & five original songs on NOW AND THEN. Available on 2LP Black Vinyl.
INSOMNIAC IS FINALLY OLD ENOUGH TO RENT A CAR (OR WHATEVER ELSE YOU CAN DO WHEN YOU’RE 25, WE’RE NOT LAWYERS), SO WE REMASTERED IT TO CELEBRATE, AND WE’RE THROWING IN SOME BONUS GOODIES TO BOOT! THIS DOUBLE LP INCLUDES AN ADDITIONAL LP WITH 8 RARE OR NEVER PREVIOUSLY RELEASED LIVE TRACKS FROM THE PRAGUE STOP OF THE INSOMNIAC WORLD TOUR ON MARCH 26, 1996 AND AN ETCHED B-SIDE.
Tripping with Nils Frahm is an illustration of Nils's lauded ability as a composer and passionate live artist as well as the enchanting atmosphere of his captivating, and already legendary Funkhaus shows: An extraordinary musical trip ' rare and exclusive, close and intimate, bringing a unique concert experience to screen.
50 years following the release of his self-titled first solo album McCartney, featuring Paul playing every instrument and writing and recording every song, Paul McCartney will release McCartney III on December 11th. Paul hadn’t planned to release an album in 2020, but in the isolation of “Rockdown,” he soon found himself fleshing out some existing musical sketches and creating even more new ones. Before long an eclectic collection of spontaneous songs would become McCartney III: a stripped back, self-produced and, quite literally, solo work marking the opening of a new decade, in the tradition of 1970’s McCartney and 1980’s McCartney II. Recorded earlier this year in Sussex, McCartney III is mostly built from live takes of Paul on vocals and guitar or piano, overdubbing his bass playing, drumming, etc. atop that foundation. McCartney III spans a vast and intimate range of modes and moods, from soul searching to wistful, from playful to raucous and all points between — captured with some of the same gear from Paul’s Rude Studio used as far back as 1971 Wings sessions. And Paul's array of vintage instruments he played on the new album have an even more storied history, including Bill Black of Elvis Presley's original trio's double bass alongside Paul's own iconic Hofner violin bass, and a mellotron from Abbey Road Studios used on Beatles recordings, to name but a few. Just as McCartney’s 1970 release marked Paul’s return to basics in the wake of the biggest band break-up in musical history, and the 1980 avant-garde masterpiece McCartney II rose from the ashes of Wings, McCartney III finds Paul back on his own, turning unexpected circumstances into a personal snapshot of a timeless artist at a unique point in history.
Single LP on black vinyl in single jacket w/ matte-coated euro sleeve. Includes coupon for full download
Amsterdam's Altin Gn have built a strong reputation for fusing past and present to make brilliantly catchy, upbeat pop music, as seen with their Grammy-nominated second album, Gece. Yol, their third album in as many years, continues that trend; while unveiling a number of sonic surprises in their continued exploration of Anatolian rock and Turkish psych-folk.
Reissue on vinyl of the fifth PJ Harvey studio album Stories From The City, Stories From The Sea. Produced by PJ Harvey with Rob Ellis and Mick Harvey, and originally released in October 2000, Stories From The City, Stories From The Sea features the singles ‘Good Fortune’, 'A Place Called Home' and ‘This Is Love’ and includes a duet with Radiohead's Thom Yorke on 'This Mess We're In'. The album won the Mercury Music Prize in 2001. Reissue is faithful to the original recording and package, cutting by Jason Mitchell at Loud Mastering under the guidance of longtime PJ Harvey producer Head.
Mr. Bungle
The Raging Wrath Of The Easter Bunny Demo [Limited Edition Clear with Blood Red Splatter 2LP]
US Retail Exclusive 2LP Clear with Blood Red Splatter Vinyl with Embossed Cover. Limited to 2000.
The first release from Mr. Bungle since 1999. The Raging Wrath Of The Easter Bunny Demo is a re-recording of the band's 1986 high school thrash metal demo along with songs written then, but never recorded. The record also features covers of classics by S.O.D. and Corrosion Of Conformity. This version of Mr. Bungle is original members Mike Patton, Trey Spruance and Trevor Dunn, joined by Scott Ian of Anthrax and Dave Lombardo of Slayer/Dead Cross
Vinyl LP pressing. 2020 release. "Change is inevitable if you're lucky," says guitarist/vocalist Alex Edkins while talking about Atlas Vending, the fourth full-length album by Toronto's METZ. "Our goal is to remain in flux, to grow in a natural and gradual way. We've always been wary to not overthink or intellectualize the music we love but also not satisfied until we've accomplished something that pushes us forward." The music made by Edkins and his compatriots Hayden Menzies (drums) and Chris Slorach (bass) has always been a little difficult to pin down. Their earliest recordings contained nods to the teeming energy of early '90s DIY hardcore, the aggravated angularities of This Heat, and the noisy riffing of AmRep's quintessential guitar manglers, but there was never a moment where METZ sounded like they were paying tribute to the heroes of their youth.
'A quintessential Future Islands blend of thumping drums, thick synths and a gooey bass line that anchors a swooning guitar. Frontman Samuel Herring delivers another charac- teristically mighty vocal performance' - Rolling Stone
The Ascension is the eighth studio album from singer, songwriter and composer Sufjan Stevens and is the long awaited follow-up to Stevens’ Carrie & Lowell. One of the most acclaimed albums of 2015, The New York Times praised Carrie & Lowell as “restrained and meticulous” while Pitchfork declared it “a masterpiece.”
In the time between Carrie & Lowell and the forthcoming The Ascension, Stevens also released Oscar-nominated music for the Luca Guadagnino film Call Me By Your Name; a collaborative album entitled Planetarium with Nico Muhly, Bryce Dessner (The National) and James Mcalister; The Decalogue, a solo piano work performed by Timo Andres; and scored several works for ballet: Reflections (Houston Ballet) and Principia (NYCB).
The Ascension is musically expansive and sweeping in thematic scope.
12" Vinyl Standard jacket with printed inner sleeve
Barely a year after the release of their acclaimed debut album 'Dogrel' (which charted Top 10 in the UK, earned a Mercury Prize nomination, Fallon performance, and #1 Album of the Year positions for BBC 6Music and Rough Trade), Fontaines DC have returned with an intensely confident, patient, and complex sophomore album. 'A Hero's Death' arrives battered and bruised, albeit beautiful - a heady and philosophical take on the modern world, and its great uncertainty.
Violet Bent Backwards Over the Grass is the title poem of the book and the first poem I wrote of many. Some of which came to me in their entirety, which I dictated and then typed out, and some that I worked laboriously picking apart each word to make the perfect poem. They are eclectic and honest and not trying to be anything other than what they are and for that reason I’m proud of them, especially because the spirit in which they were written was very authentic. — Lana Del Rey….The recording includes 14 poems performed by Lana Del Rey accompanied by music from Grammy Award-Winning songwriter/producer Jack Antonoff.
Black Pumas
Black Pumas: Deluxe Edition [Gold/Black & Red Splatter 2LP+7in]
Prince’s iconic album,Sign O’ The Times, has been remastered for the very first time by Prince’s original mastering engineer Bernie Grundman.
- LP1-2: Sign O’ The Times album (2020 Remaster)
- LP3-4: 13x singles mixes and edits, all newly remastered
Coming July 24th: Spoon's first EP Soft Effects is back in print for the first time since its initial release nearly 25 years ago. Newly recut from the original masters, the EP is available on vinyl and as part of a CD compiling the five tracks with Spoon's debut LP Telephono. Soft Effects vinyl features blue sky cover never before used in physical packaging.
Elliott Smith
Elliott Smith: Expanded 25th Anniversary Edition [2LP]
52 page hardbound foil stamped coffee table book with 2 LPs, handwritten lyrics and over 20 previously unseen photographs.
When Elliott Smith's self-titled second album came out in 1995, it was ignored by the press but championed by artists from the Beastie Boys to Fugazi. To commemorate the twenty-fifth anniversary of Elliott Smith, the Kill Rock Stars label is releasing a special deluxe package, which includes a new remastering of the original record; a coffee table book of previously unseen photographs by JJ Gonson with handwritten lyrics, reminiscences from Smith's friends and colleagues, and previously unseen photographs; and a bonus disc documenting the earliest known recording of Smith performing as a solo act. The set is a revelatory look at an under-appreciated work by an artist whose influence continues to expand seventeen years after his death.
Coming July 24th: Spoon's debut LP Telephono is back in print for the first time since its initial release nearly 25 years ago. Newly recut from the original masters, the 14 tracks are available as a single LP or as a CD that includes the five song 1997 EP Soft Effects.
Sometimes it feels like you hear a Bright Eyes song with your whole body. From Conor Oberst’s early recordings in an Omaha basement in 1995 all the way up to 2020, Bright Eyes’ music tries to unravel the impossible tangles of dissent: personal and political, external and internal. It’s a study of the beauty in unsteadiness in all its forms – in a voice, beliefs, love, identity, and what fills up the spaces in-between. And in so many ways, it’s just about searching for a way through.
The year 2020 is full of significant anniversaries for Bright Eyes. Fevers and Mirrors was released 20 years ago this May, while Digital Ash in a Digital Urn and I’m Wide Awake It’s Morning both turned 15 in January. The latter, a singer-songwriter tour-de-force released amidst the Bush presidency and Iraq war, wades through incisive anti-war rhetoric and micro, intimate calamities. On the title track and throughout the record, Oberst sings about body counts in the newspaper, televised wars, the bottomless pit of American greed, struggling to understand the world alongside one’s own turmoil. In its own way, I’m Wide Awake It’s Morning carved out its place in the canon of great anti-war albums by being both present and prophetic, its urgency enduring 15 years later.
In 2011 the release of The People’s Key, Bright Eyes’ ninth and most recent album, ushered in an unofficial hiatus for the beloved project. In the time since, the work of the band’s core members – Oberst, multi-instrumentalist Mike Mogis, and multi-instrumentalist Nathaniel Walcott – has remained omnipresent, through both the members’ original work and collaboration.
In recent years, Mogis produced records for beloved folk acts First Aid Kit and Joseph, among others, as well as mixed the fine-spun ennui of Phoebe Bridgers’ breakthrough 2017 debut, Stranger in the Alps. Mogis and bandmate Walcott also teamed up to write the original scores for The Fault in Our Stars, Stuck in Love, and Lovely Still, and Walcott worked as a solo composer scoring number of independent feature-length films. Walcott spent extensive time on collaboration; in addition to his arrangement work for Mavis Staples, First Aid Kit, and M. Ward, he contributed studio work to artists ranging from U2 to jazz guitarist Jeff Parker, and also toured heavily as a member of the Red Hot Chili Peppers.
Oberst, who’s nearly 30 years into a prolific musical career, spent the last decade in similarly productive fashion. Across three years he released a string of solo albums: Salutations (2017), Ruminations (2016), and Upside Down Mountain (2014), as well as guested on records by First Aid Kit, Phoebe Bridgers, and Alt-J. His punk band, Desaparecidos, emerged from a 13-year hiatus in 2015 with the thunderous sophomore LP, Payola, a white-knuckled disarray of hollered political fury. And at the top of 2019, Oberst and Bridgers debuted their new band, Better Oblivion Community Center, digitally dropping the critically-lauded eponymous debut LP alongside a surprise performance on The Late Show with Stephen Colbert.
The heart at Bright Eyes’ songwriting still looms culturally, in films and TV shows and through re-imaginings by other artists. Mac Miller covered both “Lua” and “First Day of My Life”; Lorde’s version of the penultimate The People’s Key track, the funereal-waltz “Ladder Song,” was a focal point of The Hunger Games’ soundtrack; The Killers covered “Four Winds” for their Spaceman EP; and Lil Peep’s “Worlds Away” samples “Something Vague” while Young Thug’s “Me Or Us” samples “First Day of My Life.”
Bright Eyes’ expansive catalog has traversed genre, sound, and countless players; unpolished demos or fuzzy folk, electrified rock or country twang. The sharp songwriting and musicianship is all anchored in Bright Eyes’ singular ability to flip deep intimacy into something universal. For so many, for so long, listening to Bright Eyes has been like hearing yourself in someone else’s song – a moment of understanding or illumination, knowing you’re on the same team looking for a way to move through of all this shit.
And while 2020 is a year of milestones for the band, it’s also the year Bright Eyes returns, newly signed to indie label Dead Oceans. Amidst the current overwhelming uncertainty and upheaval of global and personal worlds, Oberst, Mogis, and Walcott reunited under the moniker as both an escape from, and a confrontation of, trying times. Getting the band back together felt right, and necessary, and the friendship at the core of the band has been a longtime pillar of Bright Eyes’ output. For Bright Eyes, this long-awaited re-emergence feels like coming home.
Double vinyl LP pressing - Includes Digital Download.
2020 release. Fetch the Bolt Cutters is the fifth studio album by American singer-songwriter Fiona Apple. It is Apple's first release since The Idler Wheel... in 2012. The album was recorded from 2015 to 2020, largely at Apple's home in Venice Beach. It was produced and performed by Apple alongside Amy Aileen Wood, Sebastian Steinberg and Davíd Garza; recording consisted of long, often-improvised takes with unconventional percussive sounds. Rooted in experimentation, the highly percussive album resists genre categorization. While conventional instruments, such as pianos and drum sets, do appear, the album also features prominent use of non-musical found objects as percussion. Apple described the result as "percussion orchestras". These industrial-like rhythms are contrasted against traditional melodies, and the upbeat songs often subvert traditional pop structures.
After a legendary career as the enigmatic frontman for Pulp, and a successful run of solo albums and collaborations, Jarvis Cocker debuts his first new full length album since 2009 with musical project JARV IS' JARV IS... an ongoing live experience because life is an ongoing live experience. THIS IS NOT A LIVE ALBUM'it's an ALIVE ALBUM. Thanks for listening.
‘Rough and Rowdy Ways’ is Bob Dylan’s first album of original material in 8 years and his first since becoming the only songwriter to receive the Nobel Prize for Literature, in 2016. Its 10 tracks include the three new songs released this spring: the album’s lead-off track, “I Contain Multitudes,” the nearly 17-minute epic “Murder Most Foul” and “False Prophet.”
Standard weight clear vinyl
The Waterfall II completes The Waterfall, My Morning Jacket’s acclaimed 2015 record. Originally intended to be a sprawling triple album, the band were advised to hold back and keep some of it on the shelf. Until now! Frontman Jim James says, "this is simply the second half of a long snapshot of life for me as a writer in the years leading up to 2014, and the life of us as a band as we lived and worked in the epic country in and around Stinson Beach, CA during these recording sessions."
After years spent looking out at landscapes and loved ones and an increasingly unstable world, Rolling Blackouts Coastal Fever have turned their gaze inward, to their individual pasts and the places that inform them, on their second full-length, Sideways to New Italy. Led by singer-songwriter-guitarists Tom Russo, Joe White and Fran Keaney, the guitar-pop five-piece returned home to Australia after the relentless touring schedule that came following their critically regarded 2018 debut Hope Downs. Feeling the literal and metaphorical ground under their feet had shifted, the band began grasping for something reliable. For Keaney, that translated into writing "pure romantic fiction" and consciously avoiding the temptation of angsty break-up songs, while Russo looked north to a "bizarre place" that captured the feeling of manufacturing a sense of home when his own had disappeared. The New Italy of the new album’s title is a village near New South Wales’ Northern Rivers – the area drummer Marcel Tussie is from. A blink-and-you'll-miss-it pit-stop of a place with fewer than 200 residents, it was founded by Venetian immigrants in the late-1800s and now serves as something of a living monument to Italians' contribution to Australia, with replica Roman statues dotted like alien souvenirs on the otherwise rural landscape. The parallels to the way the band attempted to maintain connections and create familiarity during their disorienting time on the road was apparent to Russo. "These are the expressions of people trying to find a home somewhere alien: trying to create a utopia in a turbulent and imperfect world." The record's geographic identity emerged from the band losing their grip on their own, whether that was through the pressure of touring, the dissolution of relationships, a frustrating distance from their daily lives – or some combination of all three – that came from being slingshotted all over the world, playing sold-out headline tours and festivals including Coachella, Governors Ball, Primavera Sound, All Points East, and Pitchfork Music Festival. The notion of crafting, in Russo’s words, “a utopia of where your heart’s from,” permeates Sideways to New Italy, in which early attempts at writing big, high-concept songs about The State of the World were abandoned in favor of love songs, and familiar voices and characters filter in and out, grounding the band's stories in their personal histories. There’s something comforting, too, in knowing the next time they’re buffeted from stage to stage around the world, they’ll be taking the voices of their loved ones with them, building a new totem of home no matter where they end up.
Arca is one of the world's most transformative musical talents. Since breaking through with her 2012 EPs Stretch 1 and Stretch 2, she's created an unprecedented body of work drawing from club music, experimental noise, and the ballad tradition of her native Venezuela, while reaching beyond music to encompass performance, visual art, and technology. As a collaborator with Björk, Kanye West, and FKA twigs, she's stretched contemporary music's sonic boundaries and helped set the sound of her era. As a Latinx nonbinary trans woman, she's redefined the role of the diva for a new generation. Her latest work is KiCk i, the first in a series of upcoming works, each with it's own sonic theme. For the first installment, KiCk i, Arca pursues pleasure, dignity, and dance floor liberation by refracting club music, reggaetón, and pop through her radical vision.
Double vinyl LP pressing. 2020 release. Women in Music Pt. III is the third studio album by American band HAIM. Released through Columbia Records. It was produced by Danielle HAIM, Rostam Batmanglij and Ariel Rechtshaid, and was preceded by the singles 'Summer Girl', 'Now I'm in It' and 'Hallelujah'.
Killer Mike’s MICHAEL marks the celebrated MC’s first solo project since 2012’s R.A.P. Music. MICHAEL introduces the world to the totality of Michael Render, a lifelong rap fiend whose consciousness is steeped in the sounds of community that raised him – multiple eras of southern rap flows, Sunday church service and barbershop discourse. A 14-track album produced by No ID featuring the likes of Future, Young Thug, Ty Dolla $ign, Curren$y, André 3000, 6LACK, EL-P, Blxst, Eryn Allen Kane and more! 2 LP set includes a 24” x 12” pull-out insert.
Steve Miller Band
J50: The Evolution of the Joker [Super Deluxe Edition 3LP + 7in]
Vinyl: $179.98 Buy
Celebrate the 50th anniversary of The Joker. J50: The Evolution of The Joker, curated by Steve Miller, highlights 27 previously unreleased demos, live performances, studio outtakes and rehearsals from Miller’s personal archive, including 8 never-before heard songs. Miller also provides narration guiding the “evolution” of the songs from The Joker.
The box set features a lenticular cover, 60-page book with liner notes from both Steve Miller & Anthony DeCurtis, a reproduction of a vintage Joker iron-on and a new Joker lithograph.
Also Available 2CD, Super Deluxe Edition 3LP + 7in, Indie Exclusive Limited Edition Gold LP
Coke Bottle Clear Color Vinyl. K. Flay returns with her latest studio album MONO. This album features 15 all new songs including "Raw Raw," "Shy" and "Punisher," as well as Irish Goodbye, her collaboration with Vic Fuentes from Pierce The Veil.
The Who
Who's Next | Life House: Remastered [Limited Edition Super Deluxe 10CD/Blu-ray]
Super Deluxe Edition contains 10 CDs (all remastered from original tapes) and a Blu-ray Audio disc with new Atmos & 5.1 surround mixes of the original album and 14 bonus tracks. 155 total tracks with 89 tracks previously unreleased and another 57 tracks with a fresh remix. Included are demos, singles, studio sessions, and 2 complete concerts. Plus, a 100-page hardback book with new liner notes and imagery, a 170-page Life House graphic novel, 2 gig posters, 2 concert programs, 4 buttons and a band photo with printed autographs.
The Remastered albums are available in the following formats: Limited Edition Super Deluxe 10CD/Blu-ray, Deluxe 2CD, CD, LP, Limited Edition Deluxe 4LP, Indie Exclusive Limited Edition Coke Bottle Clear LP, Half Speed LP
The indie exclusive of STONE LP is a ruby red LP housed in a heavyweight printed inner sleeve inside of a spot UV gatefold jacket with black flood and a four-panel lyric booklet. All artwork by John Dyer Baizley. Produced by Baroness, mixed by Joe Barresi, mastered by Bob Ludwig at Gateway Mastering. Only available at independent record stores.
Grammy-award nominated heavy rock outfit Baroness mark their much-anticipated return with new album, STONE. Their sixth record overall and third released via Abraxan Hymns, STONE finds the Philadelphia-based quartet of John Baizley (guitars/vocals/illustration), Gina Gleason (guitars), Nick Jost (bass), and Sebastian Thomson (drums) streamlining the momentous multi-genre vocabulary of its critically-acclaimed predecessor Gold & Grey (2019). This is still very much Baroness—just refocused for efficiency and rethought as a consequence of stability. STONE’s most prominent tracks, "Last Word,” “Beneath the Rose,” “Shine,” and “Anodyne," reflect thoughtfully, groove deeply, and refract tumult effortlessly. They, of course, rock.
Corinne Bailey Rae
Black Rainbows [Indie Exclusive Limited Edition Opaque Red LP]
Vinyl: $29.98 Buy
Black Rainbows is a musical project inspired by the objects and artworks collected by Theaster Gates at the Stoney Island Arts Bank in Chicago. Situated at the Great Grand Crossing neighborhoods of Chicago's South Side, Stoney Island Arts Bank is a cathedral to Black Art, a curated collection of Black archives comprising books, sculpture, records, furniture and problematic objects from America's past. As well as being a site for archive, the Arts bank is also a place for convening. Bailey Rae attended The Black Artists Retreat there in 2017 and performed in the space.
Wide ranging in it's themes, Black Rainbows' subjects are drawn from encounters with objects in the Arts Bank. Taking us from the rock hewn churches of Ethiopia, to the journeys of Black Pioneers Westward, from Miss New York Transit Queen 1957, to how the sunset appears from Harriet Jacobs' loophole. Black Rainbows explores Black femininity, Spell Work, Inner Space/Outer Space, time collapse and ancestors, the erasure Black childhood and music as a vessel for transcendence. The project will be released in various iterations - live performances, books, visuals, lectures, exhibitions, and more. Sonically, the album is a multi-genre mix of the progressive R&B, neo soul sound that will be familiar to fans but it also contains rock, jazz and electronic elements. The album was produced by S.J. Brown and Corinne Bailey Rae.
Reigning from Atlanta, GA, vocal powerhouse Teddy Swims masterfully blends genres from pop, soul, hip-hop, to R&B. Throughout the last four years, Teddy has spent countless hours honing his craft by writing original music and solidifying who he is as an artist. His remarkable debut album I've Tried Everything But Therapy (Part 1) is a transformative record that pushes boundaries, inviting listeners to come along on his personal journey of self-discovery and growth. With his soul-stirring voice and heartfelt lyrics, Teddy delivers an intimate and cathartic experience, delving into themes of love, loss, and the complexities of life. With nearly 1 billion global streams across his catalog, Teddy Swims has become a force to be reckoned with, amassing a social following of over 10 million devoted fans and selling out tours across the globe. His undeniable talent has also attracted collaborations with renowned artists like Meghan Trainor, Thomas Rhett, and ILLENIUM, showcasing his versatility and musical prowess.
Bahamas’ sixth full-length album, BOOTCUT, sees Afie Jurvanen lean into his (Alt and Old-Time) Country music influences. Produced by Grammy-nominated Robbie Lackritz (Jack Johnson, Peach Pit) and Dan Knobler (Allison Russell), the album features Country legend (and current Eagle) Vince Gill, pedal-steel maestro Russ Pahl (Kenny Rogers), bassist Dave Roe (Johnny Cash), harmonica player Mickey Raphael (Willie Nelson) and many more.
Multi-platinum selling artist Thirty Seconds to Mars makes a triumphant return with their sixth studio album, It’s The End Of The World But It’s A Beautiful Day. The record heralds a new era for the band, one that not only explores the darker sides of the human experience but the hope as well, an arresting reminder that even in the face of seemingly impossible obstacles, there is still beauty to be found in the world.
Nation of Language
Strange Disciple [Indie Exclusive Limited Edition Clear LP]
Vinyl: $31.98 Buy
Brothers Osborne
Brothers Osborne [Indie Exclusive Limited Edition White LP]
Vinyl: $27.98 Buy
The sophomore album from 11x Platinum-certified, 43x Gold-certified, and GRAMMY®-winning rock icon COREY TAYLOR .“I have no fear when it comes to music. None,” Corey Taylor declares. “It feels so good to really lean into the things that I've been chomping at the bit to do.” Those “things”? The 13 diverse, unforgettable songs on CMF2, ranging from the punchy, timeless first single “Beyond” to “Someday I’ll Change Your Mind,” a soaring, sentimental stunner with an infectious chorus. The songs move seamlessly from the punk rawness and anthemic rallying cry of “We Are The Rest” to the acoustic lament “Breath Of Fresh Smoke” to “Post Traumatic Blues,” which has a wild sensibility that echoes the lyrical topic of PTSD.
For fans of the struts, the hives, greta van fleet, dirty honey. Blowing up on tik tok with huge following and over 2 million likes. Opening for guns n roses' gilby clarke 2023. Hot new single 'do me a favor' out now with video shot in los angeles. The latest recruit to earache's chart smashing rock n roll revolution. Following in the footsteps of rival sons, black star riders, goodbye june, blackberry smoke, the temperance movement, massive wagons & those damn crows. Young, wild & ready to rock! The Bites put the party back in rock n roll.
Olivia Rodrigo
GUTS [Indie Exclusive Limited Edition Lavender LP]
Vinyl: $29.99 Buy
3-time GRAMMY® award winning recording artist olivia rodrigo will release her new album, GUTS, on september 8th via geffen records. available to pre-order now.
GUTS was recorded with producer daniel nigro, who also collaborated with her on SOUR, her chart-topping, 4x platinum debut album.
“for me, this album is about growing pains and about trying to figure out who I am at this point in my life and exactly what I want to say in my songs."
Celebrating the 25th Anniversary of Beastie Boys’ multiplatinum Hello Nasty album, this deluxe vinyl reissue is a rare version of the album that was released as a limited run in 2009. It includes two additional LPs with 21 bonus tracks (remixes, B-sides, rarities) and features the singles “Intergalactic” (certified platinum), “Body Movin’” and “The Negotiation Limerick File.” Co-produced by Beastie Boys and Mario Caldato Jr., it’s a record that embraces a kaleidoscope of musical influences, with hat-tips to Latin psych-rock, Brazilian samba, jazz-funk, dub, post-punk and an impressive collection of collaborators ranging from reggae vagabond Lee “Scratch” Perry to Cibo Matto’s Miho Hatori. Pressed on 180g vinyl, this Deluxe 4 LP boxset is housed in a hardcover slipcase and includes a removable sew-on patch. Limited Edition.
Tyler Childers
Rustin’ in the Rain [Indie Exclusive Limited Edition Green Blend LP]
Vinyl: $23.98 Buy
Rustin’ in the Rain is the eagerly anticipated new album from singer-songwriter Tyler Childers. This collection of new songs is Childers’ sixth studio album, and the follow up to his critically acclaimed release Can I Take My Hounds to Heaven?.
Rustin’ in the Rain is produced by Childers alongside his longtime band The Food Stamps, and the album features the heartfelt single “In Your Love,” which Tyler first teased to fans earlier in 2023 during his Bonnaroo Music Festival performance.
Roisin Murphy
Hit Parade [Indie Exclusive Limited Edition Autographed LP]
Róisín Murphy, the Queen of Electronic Music and the Avant-Garde is known for her innovative style and endless talents and has established herself as one of the most exciting acts today. Róisín is set to release her upcoming album Hit Parade on Ninja Tune. Hit Parade is the result of years of collaboration with DJ Koze, who produced the entire record.
Courtney Barnett
End of the Day (music from the film Anonymous Club) [Milky Clear LP]
Vinyl: $31.98 Buy
Anonymous Club is Danny Cohen’s candid documentary about the personal travails and hard-fought triumphs of Courtney Barnett, as she rose through the ranks of indie rock during the last decade. A cautiously redemptive portrait, any happy ending reflects the possibilities of fulfillment and stability, not the things themselves. In May 2021, months before the film’s release, Courtney Barnett and collaborator Stella Mozgawa rendezvoused with Cohen in Melbourne to shape a score that fit that premise—nothing too obvious or instructive, to tell the audience how they should feel. Barnett found she liked listening to what the duo had made, existing within its reflective gaze. She began sorting through those little instrumentals like amoebic puzzle pieces, figuring out how they fit into a full picture. The result is a seamless series of 17 instrumental improvisations called End of the Day: Music from the Film ‘Anonymous Club’, soundtrack reimagined as impressionistic sound-art collage. Like Barnett’s rock songs, they wordlessly ask hard questions of our softest parts, wondering what it is we really find there.
There are times when an artist transcends the form. When the spirit of music goes beyond embodying sound. 1987 saw the release of Linda Ronstadt's groundbreaking love letter to her family soul and lifeblood - Canciones de mi Padre.
Selling over 10 million copies and celebrated by music lovers across the globe, and here at home by both Grammy's and the Library of Congress, Linda Ronstadt brought the most beautiful and timeless Spanish melodies back into homes in a loving reunion as well as coloring new rooms where these songs, bright as the day, suddenly rang out.
New connections celebrating beauty, language, and roots. Even today - especially today - the sound of Canciones de mi Padre links the then to the now and onward.
Jon Langston will be releasing his debut solo album, Heart On Ice, in September 2023. The album will feature 14 songs including “Whiskey Does” and “Ain’t No Cowboy.” He picked up his guitar – untouched since eighth grade – and re-taught himself how to play. Performing at open mic nights and honing his songwriting led to the 2013 release of “Forever Girl,” the first song he ever wrote, which is now certified GOLD by the RIAA. That release kicked off his music career, culminating in sold out shows across the country and over 500 million career streams. Langston signed a publishing deal with Sony ATV, management with KP Entertainment, and is the first artist signed under Luke Bryan’s label 32 Bridge Entertainment with EMI Records Nashville.
Golden State, the second full-length from singer/songwriter Logan Ledger, marks a stylistic departure from the timeless country noir of Ledger’s critically lauded debut. This time around, Ledger worked with producer Shooter Jennings, dreaming up a lush and spirited sound partly inspired by the California country-rock scene of the late-’60s and early-’70s. The result is a sublime setting for Ledger’s layered meditations on loss and despair and the search for transcendence.
The Loveliest Time is the follow-up to 2022’s The Loneliest Time, which continues in Jepsen’s tradition of coupled releases — but this time they’re not so much B-sides as they are a second chapter. While The Loneliest Time was born from a period of isolation and self-discovery, The Loveliest Time is a celebration of that growth. Featuring shimmering lead single Shy Boy, The Loveliest Time is Jepsen at her most experimental and intimate to date. Available on Milky White LP.
Limited Edition (3000 Units), 180g Heavyweight 2 LP Coke Bottle Green Vinyl In Gatefold Packaging. "It's Art and Everclear At Their Raw, Powerful and Emotional Best." Matt Pinfield. Everclear Live At The Whisky A Go Go. Recorded in December 2022, authorized by the band and celebrating their 30th Anniversary. Featuring all their Greatest Hits plus two new studio tracks, the single "Sing Away" and "Year Of The Tiger."
Josh Turner will be releasing his first ever Greatest Hits on September 8th that will include 11 of his biggest and greatest hits. With his deep bass voice, Turner has sold more than six and a half million records, reached 5.5 billion global streams, and has become a favorite and unforgettable hitmaker on country radio. With timeless songs like “Long Black Train” and “Why Don’t We Just Dance,” Turner’s five No. 1 singles include “Your Man,” of which the official music video surpassed 168 million views. Also includes “Would You Go with Me”, “Hometown Girl”, “Time Is Love”, and 5 other Hits.
Following it’s surprise digital release, Sigur Rós’ first new studio album in ten years, ÁTTA, is their most intimate and emotionally direct record to date. Few bands cut through the noise and distractions of the world to bring you a pure elemental truth or feeling like Sigur Rós. As you hear on ÁTTA, there’s a new compulsion and drive to the band that comes with the new formation of the line up. Multi-instrumentalist Kjartan Sveinsson is back in the fold – having left the band in 2012 – to join frontman Jónsi and bassist Georg Holm. Recorded across multiple continents - in the band’s Sundlaugin studio in Iceland, the legendary Abbey Road in the UK and a number of studios in the US - ÁTTA leans heavily towards the orchestral, and touches on everything that has made Sigur Rós one of the most ambitious and acclaimed bands of recent times, with close to ten million albums sold, whilst signposting an exciting and expansive possibility for their future. ÁTTA prominently features the London Contemporary Orchestra conducted by Robert Ames, alongside brass performed by longtime Icelandic collaborators Brassgat í bala. It is mixed and co-produced by another frequent collaborator Paul Corley, alongside the band."
Royal Blood
Back To The Water Below [Indie Exclusive Limited Edition Clear LP]
Vinyl: $24.98 Buy
Royal Blood ignite an epic summer ahead as they announce the September 1st release of their fourth album ‘Back To The Water Below’.
From the very beginning, Royal Blood’s story has been one of two life-long friends whose shared passion and dedication for writing and performing has led them on a remarkable adventure together – a story that has yet to be repeated, and is a feat as rare as it is remarkable. Long before Royal Blood were even formed, they spent years together in various bands playing to half empty bars around Brighton - and only then did they suddenly become a decade-in-the-making overnight success story. One day they were plotting how to recoup the meagre £300 they had spent on their first recording, but within a year they were at the top of UK album charts, storming Glastonbury and winning the BRIT Award for Best British Group.
Wide-spine two-pocket Gatefold jacket, 2x Printed innersleeves. 2x Heavy 180g vinyl (1x "Sunset Burst", 1x "Cadillac Blue"). Australian indie folk rock band The Paper Kites release their highly anticipated sixth album - At The Roadhouse. The song and production background began when the band created a roadhouse in rural Australia, performing an unannounced month-long residency in the small Victorian town of Campbells Creek, whilst working on their sixth record. The atmosphere of the live performance is recreated with pedal steel and crooning vocals and harmonies. The song lyrics reminisce of a romance still as alive as a blue flame. "We had talked about this for years" Sam Bentley explains, "We were drawn to the idea of holding up in a town somewhere and playing the evenings as a house band. The Roadhouse became this place for us." Expanding their line-up, the five members of The Paper Kites recruited three extra musicians to make up their roadhouse band, including multi-instrumentalist Matt Dixon - who's weeping pedal steel features on the track - as well as Hannah Cameron and Chris Panousakis.
everything is alive, Slowdive’s 5th record, is exactly what the title suggests: an exploration into the shimmering nature of life and the universal touch points within it.
While there are parts of this record that could sit neatly next to the atmospheric quality of 1995’s Pygmalion; everything is alive also manages to break down the boundaries of what’s come before it. Spanning psychedelic soundscapes, pulsating 80’s electronic elements and John Cale inspired journeys, the album lands immediately as something made for 2023 and beyond.
For a genre that is often thought of as divisive, and often warrants introspection, here Slowdive show their craft as the masters of it by pushing it outwards, beyond the singular; the end result being a record which feels as emotional and cathartic as it is hopeful.
2023 Marks forty years since Tom Waits released Swordfishtrombones,
“On Swordfishtrombones, Waits has made a breakthrough – he’s found music as evocative as his words. Waits’s grumble of a voice now bounces off a peculiar assortment of horns and percussion and organ and keyboards, as if he’d led a Salvation Army band into a broken-down Hong Kong disco. It’s as if he’s shifted from monologues to screenplays…” – Jon Parales January 1984 – GQ Magazine
The album is newly remastered for the first time ever from the original EQ’ed ½” production master tape and personally overseen by Tom Waits and Kathleen Brennan. Mastered by Chris Bellman at Bernie Grundman Mastering under the guidance of Waits’ longtime audio engineer, Karl Derfler. The album packaging has also been restored. Available as a CD digipack.
Noted as Tom Waits’ most critically acclaimed album, Rain Dogs follows the new musical path Waits had taken with Swordfishtrombones. Considered the middle of a de facto trilogy with Swordfishtrombones and Fr
Waits coined the term, “rain dog,” a reference to dogs who lose their way when touchstone scents are washed away in storms. Among the lost dogs on the album: gruff, wandering merchant marines (“Singapore”), an accordion player in a slaughterhouse (“Cemetery Polka”), a “jockey full of bourbon” (also the song title), an abandoned, withdrawn woman (“Time”), a “gun street girl,” the old drunks and hustlers of Union Square, and even Waits, himself: Aboard a shipwreck train / Give my umbrella to the Rain Dogs / For I am a Rain Dog, too...
Originally released in 1985 on Island Records, the album is newly remastered for the first time ever from the original ½” flat master tape and personally overseen by Tom Waits and Kathleen Brennan. Mastered by Chris Bellman at Bernie Grundman Mastering under the guidance of Waits’ longtime audio engineer, Karl Derfler. The album packaging has also been restored. Rain Dogs includes tracks such as “Downtown Train,” “Clap Hands” and “Jockey Full Of Bourbon.” Available as a CD digipack.
Originally released in 1987 on Island Records, Franks Wild Years is Tom Waits’ 10th studio album. Titled for a play of the same name and authored by Waits and his wife, Kathleen Brennan, Franks Wild Years was performed by Chicago’s Steppenwolf Theatre Company in 1986. Franks Wild Years is an iteration of the track “Frank’s Wild Years” from Waits’ 1983 album Swordfishtrombones.
The album divides the story neatly into two acts and although titled “un operachi romantic”, there is no opera in Franks. There is a hilarious touch of operatic styling by Waits himself in the song “Temptation.” His vocal character varies wildly throughout the work’s 17 songs, and is no more impressive than when the gruff, growly singer turns to impeccable Sinatra-esque phrasing on the Vegas number, “Straight To The Top.” While Franks featured a 14-member cast on stage, the album is all-Waits—yet suggests a multitude of characters by virtue of his chameleon vocals. The album is a startling group of lost dreams, bad dreams, dreams that might not even be dreams. The music is nightmarish, ethereal, beautiful. Think broken calliopes played by genius children, horns played at dawn in a graveyard, banjos leaking through practice room walls. Titles evoke Frank’s dime-store Odyssey: “Straight To The Top,” “Blow Wind Blow,” “Temptation,” “I’ll Be Gone.” NME ranked the work the number five album of 1987.
Newly remastered for the first time ever from the original ½” flat master tape and personally overseen by Tom Waits and Kathleen Brennan. Mastered by Chris Bellman at Bernie Grundman Mastering under the guidance of Waits’ longtime audio engineer, Karl Derfler. The album packaging has also been restored. Franks Wild Years includes tracks such as “Cold Cold Ground,” “Way Down In The Hole” – versions of which were used as the theme music of HBO’s series The Wire – and “Temptation.” Available as a CD digipack.
Turnpike Troubadours
A Cat In The Rain [Indie Exclusive Limited Edition Opaque Tan LP]
Vinyl: $23.98 Buy
In conjunction with the new music, the band recently spoke with Rolling Stone, who declares, “he [lead singer Evan Felker] is more focused and lyrically crisp than at any point in his life. He’s a poet, but he’s direct.”
Produced by Shooter Jennings and recorded at Muscle Shoals’ Fame Recording Studios and Dave’s Room in Los Angeles, A Cat in the Rain marks a long-awaited return for the band following their self-imposed hiatus in 2019. With these ten new songs, Turnpike Troubadours is back with a refreshed perspective on the authentic songwriting and signature foot-stomping sound that first captivated their deeply devoted fanbase.
Pioneers of the Red Dirt music scene, Turnpike Troubadours has amassed a massive following throughout their career with over 1.28 million equivalent units sold to-date. Originally from Tahlequah, OK, Turnpike Troubadours is Evan Felker (vocals, guitar), Kyle Nix (fiddle), Ryan Engleman (electric guitar), RC Edwards (bass), Gabe Pearson (drums) and Hank Early (steel, accordion).
Known for their relentless touring and electric live shows, the band will perform through this fall including newly confirmed headline shows at New York’s Beacon Theater, Nashville’s Ryman Auditorium (two nights), Washington DC’s The Anthem, Los Angeles’ Greek Theater and Fort Worth’s Billy Bob’s (three nights) among several others. The band will also perform at select festivals this summer including Newport, RI’s Newport Folk Festival, Pryor, OK’s Born & Raised Festival, Memphis, TN’s Mempho Music Festival and Charleston’s Riverfront Revival Music Festival.
CALL ME IF YOU GET LOST: The Estate Sale is a limited edition 3 LP vinyl set, that features Tyler, The Creator’s original critically acclaimed CALL ME IF YOU GET LOST album plus 8 additional songs, pressed on Geneva Blue colored vinyl. The discs are housed in a triple gatefold jacket with embossed cover, and foil detail, and includes a 28 page booklet.
Be Your Own Pet
Mommy [Indie Exclusive Limited Edition Living Dead Green LP]
Vinyl: $24.98 Buy
The Nashville, Tennessee, garage rock group were signed as teenagers to the prestigious XL in the UK and Thurston Moore's Ecstatic Peace label in the US, with whom they released two widely acclaimed albums. They went on to tour with the likes of Arctic Monkeys, Sonic Youth, Le Tigre etc and have been cited as influences for groups such as Paramore and Big Joanie.
Come On Over is the top-selling country album and the highest-sold album by a female artist of all time. In celebration of the album’s 25th anniversary and over 40M global sales, the US version of the album has been remastered from the original tapes for the first time ever. Now available on 180g black vinyl.
Five Finger Death Punch
Afterlife: Tour Edition [Limited Edition White LP]
SPELLLING, the moniker of the Bay Area experimental pop mastermind Chrystia Cabral, returns with SPELLLING & the Mystery School, a collection of richly envisioned new versions of songs from throughout her critically-acclaimed discography, out August 25 via Sacred Bones. Recorded with her touring band (est. 2021), these reimagined studio tracks follow Cabral’s spellbinding career — from her 2017 breakthrough debut Pantheon Of Me, to 2018’s multidimensional synth-based project Mazy Fly, and her expansive third album, 2021’s The Turning Wheel, breathing new life into the extravagant orchestrations she’s written and produced entirely herself.
The road will make you or break you. To survive it, you need to be as tough as asphalt and move fast enough to make the competition eat dust. Throughout 2022, Alice collaborated closely with the members of his touring band as well as long-time producer Bob Ezrin, putting together what would become his brand-new studio album “Road.” You can feel the energy and lightness that the band brings with every riff and hear the story behind what inspired them. Bringing everything full circle, it channels the spirit of old school Alice with instantly recognizable grit and plenty of gusto. It’s everything you’d hope for from him and more. And this time his trusted longtime bandmates— Ryan Roxie [guitar], Chuck Garric [bass], Tommy Henrikson [guitar], Glen Sobel [drums], and Nita Strauss [guitar]—are riding shotgun.
Kane Roberts (a touring and recording collaborator with Alice’s in years past who briefly rejoined Cooper on the road in 2022) makes a special guest appearance, contributing the raucous and rip-roaring “Dead Don’t Dance.” Other special contributors to the album include Rage Against The Machine's Tom Morello, who co-wrote, and plays and sings backing vocals on "White Line Frankenstein," and Buckcherry's Keith Nelson and MC5's Wayne Kramer, who also co-wrote new songs with Alice.
For Lutalo, creating music is an act of hope in and of itself. Throughout their meticulously crafted folk, rock, and soul, on which they sing and play all the instruments, the Twin Cities-raised, Vermont-based musician embeds golden lines of poetry that inspire curiosity about the world and empathy for everyone searching for a way through it.
Jon Batiste
World Music Radio [Indie Exclusive Limited Edition Opaque Baby Blue 2LP]
Vinyl: $39.98 Buy
"World Music Radio is the new musical transmission from GRAMMY® and Oscar® winner Jon Batiste, following his acclaimed hit record WE ARE.
This concept album stars Batiste as interstellar traveling griot/DJ Billy Bob Bo Bob who examines popular music from around the globe on a radio broadcast to the rest of the universe - begging the question, isn’t all music, world music?
World Music Radio sees Batiste reach new artistic heights with collaborators Jon Bellion, J.I.D, Camilo, NewJeans and others."
THE ULTIMATE GREATEST HITS CELEBRATING 50 YEARS OF AEROSMITH! For the first time ever, 44 tracks spanning their five-decade career on 180g black vinyl. Featuring “Dream On,” “Walk This Way,” “Sweet Emotion,” “Crazy,” “Cryin’,” “I Don’t Want To Miss A Thing” and many more! Stunning live photography and band photos across their entire career.
On Cautious Clay’s deeply personal Blue Note debut KARPEH, the singer, songwriter, multi-instrumentalist and producer takes an artistic leap forward with an ambitious yet introspective album about growth, conceptions of intimacy and lineage that reveals a new side of his artistry by delving deeper than ever into his jazz influences. Across the album’s 15 tracks, Cautious is heard on vocals, flute, tenor saxophone, soprano saxophone, bass clarinet, guitar, synthesizer and bass.
Parkway Drive
Don't Close Your Eyes: 20th Anniversary Edition [Specialty Clear w/Black Smoke LP]
Vinyl: $26.98 Buy
As Australian metal juggernauts Parkway Drive gear up for a world tour to commemorate their 20th anniversary as a band, Epitaph Records announces the release of the band’s debut EP from 2004, for the first time on vinyl. This expanded version of Don’t Close Your Eyes includes the original 8 tracks from the band’s first EP , with the addition of bonus tracks included from both their split album with I Killed the Prom Queen and from the compilation albums What We’ve Built and True Till Death, Volume I.
Hailing from the beachfront town of Byron Bay, Australia, Parkway Drive blasted out of their serene surroundings touting a volatile blend of intricate metal riffing, punishing breakdowns, and hardcore’s emotional tension. The band caught fire regionally with the chart-topping Horizons (2007) and Deep Blue (2010), then broke into the international market in 2012 with the arrival of Atlas. 2015’s Ire saw the group introduce clean singing into their oeuvre, and they continued to move toward a more melodic, though no less aggressive metal style on 2018’s Reverence and 2022’s Darker Still.
Parkway Drive continue to be a force of nature, 20 years in and still one of the top headliners in the Hard Music scene. Don’t Close Your Eyes revisits the band’s beginnings and their completest fans will be excited to finally have this album available on Vinyl.
NCT DREAM The 3rd album ‘ISTJ' includes 10 songs of various genres, and seeing the light of day after a year and two months, will charm their fans all over the world with its more than ever mature and refreshing vibe that is well-suited for the summer.
Contents of the album include a Booklet (Random out of Introvert / Extrovert ver.), CD, Printed Photo (Introvert ver.) or Polaroid Card (Extrovert ver.) (Random out of 7 each), Folded poster, Photocard (random out of 7), and Special poster.
This version contains an additional US-exclusive Postcard (Matching cover).
You’re The One is singer/songwriter/multi-instrumentalist, Rhiannon Giddens’ 5th album and first full band release in over 6 years. The album, which is her first album of all original songs (all written or co-written by Giddens), was produced by Jack Splash (St. Paul and the Broken Bones, Valerie June, Solange) and features guest appearances from Jason Isbell, Leyla McCalla, and Eryn Allen Kane.
Over the course of her career, Rhiannon Giddens has established herself as one of the most important artists in the world. Her mission has been to lift up people whose contributions to American musical history have previously been erased, and to work toward a more accurate understanding of the country’s musical origins. That work has led to massive press recognition and multiple GRAMMY wins; a McArthur “Genius” grant, hosting various podcasts and tv shows, amongst countless other initiatives
Reneé Rapp’s debut album Snow Angel kicks off her new era of music by putting her heart on full display as she continues to round out her already multidimensional artistry. Executive produced by Alexander 23, the album captures Rapp’s ability to unabashedly speak her truth, whether it’s through emotional ballads or pop hits. In just a year, Reneé has already sold out shows nationwide while netting hundreds of millions of streams, making Snow Angel one of the most anticipated albums of the year.
The Tallest Man On Earth – the project of Swedish musician Kristian Matsson – presents Too Late For Edelweiss, an album of new covers out ANTI.
With Too Late For Edelweiss, Matsson weaves together a sparse collection of home recordings made in Sweden and North Carolina, captured fresh off a 39-date run with the adrenaline of tour rattling through his veins. The songs on Too Late For Edelweiss have been with Matsson since he started playing music as The Tallest Man on Earth in 2006. In those early years, Matsson used to perform “Lost Highway” by Hank Williams before he had enough songs to flesh out a full set.
In July 2022, Matsson released a cover of Swedish super star Håkan Hellström’s “För sent för Edelweiss,” a precious song that has been The Tallest Man’s walk-on music before every performance for over a decade and what inspired the title of this covers album. Since then, in the lead-up to this announcement, he has quietly released other selections, including Lucinda Williams’ “Metal Firecracker,” Yo La Tengo’s “Tears Are In Your Eyes” and now “Lost Highway.” Mattson explains, “When I was a teenager I borrowed a Hank Williams album at the local library, and ‘Lost Highway’ has been haunting me ever since. Many vocal sound checks throughout my career have heard Hank’s advice.”
As much as Too Late For Edelweiss feels like a scrapbook, an intimate memento with the ghosts of The Tallest Man’s earlier, sparser sound hovering at the edges, it’s also just the artifact of a moment - a flash of joy, of feeling recharged, of feeling good. These are the songs that happened to be in Matsson’s head at the time he sat down to record. It came together so simply and easily – and in that way, it’s the purest distillation of making music - and being a fan of it, charting the connective tissue of a songwriter’s life.
Since No Good Left to Give debuted at #3 on the Alternative chart in 2020, their streams have doubled with over 200M total streams in the US alone. The band’s third full-length RUCKUS! sees the quartet taking their sound to expansive and sometimes unexpected places. Produced by longtime collaborator Will Yip (Turnstile), the album fuses post-hardcore and punk influences with a healthy dose of pop song-craft to create an album that defies scene conventions in favor of something wholly unique.
The Band CAMINO’s second studio album The Dark will feature 11 tracks including first singles “Told You So,” “What Am I Missing?” and “Last Man In The World,” which were released earlier this year and emphasize the band’s infectious, unguarded and booming, guitar-driven pop sound that has resonated with audiences worldwide. The band tapped in key collaborators Andrew Goldstein, Jordan Schmidt, Seth Ennis, Geoff Warburton, Jake Torrey and Alysa Vanderheym to create another powerhouse body of work.
Chrome Dreams is another of Neil Young’s legendary “lost” albums; finished albums that for various reasons Neil decided not to release at the time. The recent releases of Homegrown and Toast also fall into this category. Chrome Dreams features 12 songs recorded between 1974 and 1977. If the album was released in 1977 as originally planned, it would certainly be considered as one of the masterpieces in Neil’s long career.
The album contains some of Neil’s most iconic songs: “Pocahontas”, “Like A Hurricane”, “Powderfinger”, Homegrown”, “Too Far Gone” and “Star of Bethlehem”. Most of the tracks were subsequently released on later Neil Young albums (e.g.: American Stars ‘N’ Bars, Hawks & Doves, Hitchiker, Archives Vol II), although Chrome Dreams includes unreleased versions of two much loved songs: “Sedan Delivery” and “Hold Back The Tears”. Four of the songs are making their vinyl debut.
The Hives
The Death Of Randy Fitzsimmons [Indie Exclusive Limited Edition Offwhite Opague LP]
Vinyl: $26.98 Buy
Members Only is a group XXXTentacion formed as he was still bubbling beneath the surface of the mainstream. Group members have included Ski Mask the Slump God, Kid Trunks, Craig Xen, Killstation, Coolie Cut, Bass Santana, Flyboy Tarantino, Tankhead and Kin$oul. Following the release of their fourth project, "Members Only, Vol. 4," the collective has gone on an indefinite hiatus, with some of it's most prominent members such as Craig Xen and Wifisfuneral exiting the group. Three former members including XXXTentacion have sadly passed away. Volume 4 was originally released via EMPIRE on January 23rd, 2019 which would have been XXXTentacion's 21st birthday. 2LP + 24 tracks in length.
Also Available XXXTentacion - XXXtentacion Presents: Members Only Vol. 3
Liam Gallagher
Live At Knebworth '22 [Indie Exclusive Limited Edition Sun Yellow 2LP]
Vinyl: $44.98 Buy
Liam Gallagher will document his triumphant two-night Knebworth Park shows with the release of the live album ‘Knebworth 22’ on August 11th. Returning to the scene of the era-defining Oasis gigs of the ‘90s, the huge audience stretched from fans who had been present some 26 years earlier right through to teenagers relishing the excitement of their first big gig. ‘Knebworth 22’ is a must-have live album for any fan who wants to relive the experience.
‘Knebworth 22’ is released alongside a live video of the weekend’s surprises. ‘Roll It Over’ originally featured on the Oasis album ‘Standing On The Shoulder of Giants’.
‘Knebworth 22’ will be available to pre-order or pre-save on Friday 9th June. In addition to its digital release, physical formats included standard and deluxe CDs, black double-vinyl and sun yellow double-vinyl.
Liam Gallagher will play select international festivals this summer, including a UK festival exclusive headline set at Boardmasters before culminating with Summersonic shows in Tokyo and Osaka.
Ryan Bingham's new EP “Watch Out For The Wolf” finds the Grammy award-winning artist crafting his most raw and intimate work to date. Written and recorded by Bingham in the wilderness of Montana, the haunting and evocative collection of songs seamlessly intertwine to capture a moment suspended in time, filtered through the stillness and echoes of the desolate surroundings in which they were created. Guided by his signature poetic lyricism and soulful delivery, “Watch Out for The Wolf” is the first project produced, performed, and mixed entirely by Bingham – carving a distinctive space in the singer-songwriter’s ever-evolving catalog.
INDIE EXCLUSIVE CANARY YELLOW
On the heels of a whirlwind debut that included a GRAMMY® Award nomination for his first-ever single, #1 debuts on multiple charts, television performances, and sold out shows over a two-year span, Mammoth WVH is back with its sophomore album Mammoth II. The 10-track record will be available worldwide on August 4th via the band’s new label, BMG. Recorded at the legendary 5150 studio, the album was produced by friend and collaborator Michael “Elvis” Baskette.
Over the past eight years Teenage Wrist have continually evolved their sound, a process that’s peaking with their third full-length, STILL LOVE. Reaching new heights in both scope and execution, the album sees the duo—Marshall Gallagher (vocalist, guitarist, bassist) and Anthony Salazar (drums, vocalist, percussion)—producing the album themselves to handcraft their most expansive collection of songs to date from the ground up. The result is a self-realized collection of songs that saw the band borrowing vintage gear, bringing in friends in the form of members from 311 vocalist/turntablist Doug “SA” Martinez and Softcult and incorporating tasteful pop sensibilities to craft a collection of songs that redefines the band’s sound while staying true to their guitar-driven roots.
From the atmospheric, fuzzed out opener “Sunshine” (which Gallagher says is “the coolest riff he’s ever written”) to the midtempo rocker “Dark Sky’’ (the latter of which features the aforementioned cameo from 311 vocalist/turntablist Doug “SA” Martinez), the album will undoubtedly please fans who favor distorted guitars and crunchy chords. However, that’s only one aspect of the album and Teenage Wrist aren’t ashamed to admit that there’s a strong pop sensibility on the album that shows how much they’ve grown as songwriters since 2021’s Earth is a Black Hole. From the brain-invading ballad “Something Good” to the downbeat electronic vibe of “Diorama,” the album is teeming with unexpected moments that are reminiscent of Radiohead’s flair for experimentation.
The powerful bond between these two collaborators lies at the core of Teenage Wrist’s music and, more than any other factor, that’s evident on every moment of STILL LOVE. “There was a certain feeling that music gave me as a kid and this is honestly the first time on any record I feel like we kind of came close to achieving that,” Gallagher says of the end result. “We just shot from the gut on this record and tried not to overanalyze things... and I think the record speaks for itself.”
The album, described by Springfield, as 20 new songs stylistically somewhere between “Working Class Dog” and “Tao”. Sonically, the album sees Springfield returning to his first love of guitar-based power pop and keyboards, while lyrically featuring his favored subjects of love, sex and death. “My goal was solid three-minute tunes with the biggest hooks I could come up with.” As Springfield explains, “the album is called ‘Automatic’ because the songs just kind of came out on their own."
Vince Gill and Paul Franklin
Sweet Memories (The Music of Ray Price & The Cherokee Cowboys) [LP]
The Front Bottoms
You Are Who You Hang Out With [Indie Exclusive Limited Edition Neon Coral LP]
Vinyl: $24.98 Buy
For New Jersey’s The Front Bottoms, working on new music has always been therapeutic, but on their forthcoming new album You Are Who You Hang Out With, having complete and utter fun took top priority for the duo of Brian Sella and Mat Uychich. It’s this carefree and laid-back mindset that colored the sessions for You Are Who You Hang Out With. Armed with the duo’s signature anthemic melodies, take-no-prisoners lyrics and tight musical interplay, every spin of the album is a chance to peek behind the curtain at two friends having one hell of a time doing what they do best. “Oh yeah, it had to be fun for us,” says Uychich of the freewheeling, oft-emotional sessions that resulted in You Are You Who Hang Out With. “Also, we said numerous times that we needed to make it sound like The Front Bottoms.” To hear Sella tell it, things had to feel comfortable for he and Uychich. Because, sure, they could get self-serious about their craft. But The Front Bottoms have never been that band. “So we had to keep it natural,” Sella says of the process that resulted in a stunning 10-track album full of explosive hooks and even harder-hitting melodies “Don’t force anything and just let the songs develop the way they develop. That’s just the way it’s meant to be.”
OTR crafts loving, buoyant electronic tracks bursting with optimism and catharsis. Making music began as an escape from strange, alienating circumstances, and has since blossomed into a burgeoning career with a dynamic, ambitious upcoming sophomore album-Be Quiet, They're Listening-due on Astralwerks in the summer. Boasting an explosion of dreamy synths and polished percussion, the record showcases the scope of emotion as well as meticulous attention to detail that elevates OTR's work.
GRAMMYr Award-nominated, 8x RIAA diamond-certified global superstar Post Malone unveiled that his anxiously awaited fifth full-length offering and one of the most anticipated albums of the year, Austin, will arrive on July 28, 2023. Available on Forest Green 2 LP.
With over 30.5B streams to date, Grammy-nominated Diamond-Selling Rap Superstar Lil Uzi Vert flaunts a vision and fashion sense just as loud as his futuristic sound. Igniting the scene with their own fire, they have exploded into a hip-hop rockstar and become one of today’s biggest and most influential artists.
Following the ‘Red & White’ EP (2022), Uzi has made an explosive return last fall with the Jersey club inspired anthem ‘Just Wanna Rock’, leading to his highly-anticipated new album ‘Pink Tape’.
Over the years, the rap superstar has also collaborated with the likes of Justin Bieber, Tyler The Creator, Nicki Minaj, Travis Scott, Kanye West, Metro Boomin, 21 Savage, Gunna, Lil Durk, Meek Mill, Pharell Williams, The Weekend and many more.
On 'Pink Tape' Lil Uzi Vert fuses his rock and hip-hop influences, stretching their sound in new directions.
The project includes the global hit ‘Just Wanna Rock', fan- favorites 'Flooded The Face', 'Aye' ft Travis Scott, 'Suicide Doors', along with ‘Endless Fashion’ ft Nicki Minaj, and additional features from Bring Me The Horizon, Don Toliver, and Babymetal.
The Grammy nominated album from Janelle Monae is pressed on Crystal Clear vinyl and features the hit songs “Pynk,” ”Make Me Feel,” and “I Like That”.
The definitive box set for Ghost's highly acclaimed album IMPERA (Best Rock Album: iHeartRadio + American Music Awards; #1 Spotify’s Best of Kickass Metal; etc) is bursting with some never before released vinyl, 3D die-cut gatefold vinyl jacket, wax seal kit with custom Ghost candles, band poster, 22-page photo book & more! This limited-edition black vinyl version features a gold foil number certification marked on the box's paper outsert.
Set to an all-new sonic backdrop of Awesome Mixtape #3, Marvel's Guardians of the Galaxy Vol. 3 continues the team's adventures as they traverse the outer reaches of the cosmos. Indie Exclusive Mantis Green Cassette.
Brad is Stone Gossard of Pearl Jam, Regan Hagar of Satchel/Malfunkshun, Shawn Smith (Pigeonhed and Satchel) and Keith Lowe.
'In The Moment That You're Born' features 10 never released songs, and all the lyrics were solely written by the late Shawn Smith, exception made for Stars N’ You, (originally written by Andy Wood of Mother Love Bone and Malfunkshun for the Deep Six Compilation). Barrett Jones plays piano on "Meadow in Autumn", while Hans Teuber plays horns and keys on various other tracks. The album was self-produced by Brad, and recorded and mixed by Floyd Reitsma at Studio Litho in Seattle (except for "In The Moment That You're Born," which was mixed by Josh Evans). The artwork was cured and crafted by Regan Hagar with the addition of pictures taken by Lance Mercer.
Acclaimed indie-folk quartet Darlingside announces the July 28th release of their anticipated new album Everything is Alive (Thirty Tigers). Everything is Alive is the follow up to the band’s celebrated 2020 release Fish Pond Fish, and while Fish Pond Fish celebrated the unity and harmony of multi-instrumentalists Don Mitchell, Auyon Mukharji, Harris Paseltiner and David Senft, Everything is Alive showcases the individuality of each band member. And while their talent for lush harmonies and intricate songwriting has distinguished Darlingside throughout their acclaimed career, the evolution to Everything is Alive inspires listeners with a new degree of intimacy and nuance.
The recording of Everything is Alive continued in the pandemic-fueled music style of Fish Pond Fish, with band members creating separately to contribute to a sum greater than its parts. Three years later, things have changed in not only the world but also in the lives of Darlingside’s members; themes of grief, loss and hope permeate throughout the album. First single “Eliza I See” recalls Paseltiner’s perception of the passage of time as he experiences it with his young child. He chronicles the creation of “Eliza I See” as songs he made for her at the beginning of the pandemic saved as voice memos, and when rediscovering them a year later they took on a whole new meaning. He notes. “It deals with the joy, but also pain, that comes with change, and the excitement of gaining something new while necessarily losing something at the same time. This feeling is especially pronounced for me with my daughter because she changes so quickly.”
Everything is Alive was produced and recorded by the band and mixed by Tucker Martine (My Morning Jacket, Sufjan Stevens, Iron and Wine) in 2021. And while each band member contributes songs individually, Everything is Alive is still a classic Darlingside effort, filled with vivid imagery and lyrical creativity. The album opens with the hopeful “Green Light” before moving into the many facets of loss on “Lose the Keys.” “All the Lights in the City” is a rumination of life’s big choices with one’s partner, while “Darkening Hour” offers a solemn tone about moving in and out of darkness. The exquisite harmonies on “How Long Again” expose the sadness of America’s gun violence, and “Sea Dogs” meditates on death, if it is final or a rebirth to another form.
In addition, while the album features all four band members, the Everything is Alive tour has evolved into a new configuration. While a critical piece of the band and recording process, Senft will relinquish his road duties and Darlingside will tour with a new structure, featuring the album’s drummer Ben Burns, singer Molly Parden, and others. Tour dates will be announced shortly.
Darlingside’s first release was 2015’s Birds Say, which announced the band’s arrival as an eclectic, intelligent and dynamic foursome. Media across the board praised the release, including American Songwriter, Paste, Rolling Stone Country, NPR Music, The New Yorker and The Huffington Post, who called it, “...one of the great albums released this year.” Extralife followed, building the band’s fanbase and continuing to earn raves. Fish Pond Fish was released in 2020 to additional critical praise and the band shared the album with a beautifully produced series of livestreams while touring ceased during the pandemic.
No matter how drastically life may change, tomorrow wipes the slate clean and heralds a new beginning. All of the tumult dissolves into dawn, and everything starts over. SUSTO chronicle seasons of transformation within their distinct, diverse, and dynamic breed of rock ‘n’ roll enlivened in broad strokes of classic songwriting, storytelling and dalliances of sonic unpredictability. The band—led by frontman and songwriter Justin Osborne—explore change physically, emotionally, and spiritually on their fifth full-length LP, My Entire Life.
“It tells a story of one of the most intense transformations in my entire life,” says Justin. “It feels like closing one chapter and turning the page on the next. There are repercussions and ripples from change that will affect me forever. It’s essentially about my life and the pain and beauty in it."
Joni Mitchell stunned the Newport Folk Festival audience last summer when she gave a surprise performance – her first in 20 years – delivering a heartfelt set filled with some of her greatest songs. Mitchell’s triumphant return to the stage on July 24, 2022, will be featured on a new live album from Rhino, AT NEWPORT, available on July 28, 2023 on CD and 2-LP black vinyl. Produced by close collaborator Brandi Carlile, along with Mitchell, the music will also be released the same day on digital and streaming services and Dolby Atmos.
Bad Religion
Recipe For Hate: 30th Anniversary Edition [Limited Edition Tigers Eye LP]
Vinyl: $26.98 Buy
From the opening strains of the politico title-track to the countrified pedal steel guitar on “Man With A Mission,” from the anti-establishment anthem “American Jesus,” to the heart rending ballad “Struck A Nerve,” Bad Religion’s Recipe For Hate is by far their most eclectic album, and one that never ceases to stir up controversy among fans. Graffin, a seething combination of perfect pitch and skeptical emotion, reaffirms his place as one of the best punk rock vocalists on this record. Guest appearances abound, from Eddie Vedder (of Pearl Jam fame) harmonizing on “American Jesus” and “Watch it Die,” to Concrete Blonde’s Johnette Napolitano’s stunning vocals on “Struck A Nerve,” to Claw Hammer’s John Wahl and Chris Bagarozzi’s searing guitar leads on “Kerosene.” As the songwriting team of Graffin/Gurewitz pull back from their more introspective writing that appeared on some of the previous albums, they focus ever more keenly on the events of the day. Recipe For Hate is a scathing commentary on the state of the nation, a social criticism addressing alcoholism, abortion and homelessness. Reissued on limited edition Tigers Eye Translucent vinyl to celebrate the album’s 30th anniversary!
Sevendust never follows a linear path. Instead, they continue to bulldoze a lane of their own with a proven one-two punch of rumbling grooves, unpredictable riffing, and stirringly soulful vocals unlike anything else in hard rock. As a result, their music connects straight to the heart as evidenced by their full-contact live shows and diehard “family” of fans. However, the Atlanta quintet defy expectations yet again on their fourteenth full-length and debut for Napalm Records. Ultimately, Truth Killer reaffirms there’s only one Sevendust—and they’re here forever.
Greta Van Fleet
Starcatcher [Indie Exclusive Limited Edition White/Glitter LP]
Vinyl: $32.99 Buy
Since announcing their arrival with debut album in 1991, Blur went on to revolutionise the sound of English popular music with six successive UK #1 albums and a string of Top 10 singles, including two No 1s, helping to propel the band to mass popularity at home and abroad. One of the biggest British bands of the last three decades, Blur have released eight studio albums and collected ten NME Awards, six Q Awards, five BRIT Awards and an Ivor Novello Award, and played live to millions of devoted fans across the globe.
Whilst they are an iconic band, the new music truly feels like they have re-invented their sound for 2023 and we should really amplify the commercial viability and youthful leaning sound to reach new audiences.
The album is truly incredible body of work which is beautifully layered, with real stand-out singles which is understandably described by the band as one of their best creations.
Atlantic Records is proud to announce Barbie The Album, the groundbreaking and star-studded musical companion to the highly anticipated summer event film Barbie, starring Margot Robbie and Ryan Gosling as Barbie and Ken and distributed by Warner Bros. Pictures. The album will feature new tracks from an unprecedented lineup of artists including Nicki Minaj and Ice Spice, Dua Lipa, Lizzo,KAROL G, Charli XCX, PinkPantheress, Ava Max, Dominic Fike, Khalid, The Kid LAROI, Tame Impala,HAIM, GAYLE and FIFTY FIFTY feat. Kali. Barbie star Ryan Gosling also joins the robust roster of soundtrack artists with his iconic original song performed as his character, Ken. Barbie The Albumarrives in stores and at all online retailers on Friday, July 21st in conjunction with the theatrical release of the feature film.
Lori McKenna titled her album 1988 after the year she married her husband, Gene, yet the 10 songs within also serve as a love letter to lifelong friendships, people she’s lost, and her family. Recorded with producer Dave Cobb in Savannah, Georgia, 1988 naturally has its nostalgic moments, even if not every ending is a happy one.
With more of an electric edge than her past projects, 1988 feels in step with classic ‘90s albums by Sheryl Crow or Gin Blossoms, where the lyrics pulled you in as much as the melody or production. Playing together on acoustic guitars while facing one another in the studio, McKenna and Cobb tracked the album live, giving it a feeling of immediacy and authenticity.
“I was trying to let my age and experience guide me through making a record I wished I’d made when I was younger,” she explains. “I really wanted it to sound like if I made a rock record in the ‘90s, and then I remembered that I made my first album in 1998. There's something so 30 years ago in my head about this record. In a way I wish I could start again and know what I know now.”
“I like doing solo shows, but I really like it when we’re all together,” she says. “That’s another reason why this record sounds the way it does. I really wanted it to sound like a band, because it’s so fun to play live that way. You think of Jason Isbell’s song, ‘Traveling Alone,’ and I never did that, but all of my friends did. I'm a serious homebody, so I don't love being gone, but I love playing the shows. And I also love Nashville and I love chasing songs with new people. And I feel like I really lucked out in the fact that I get to still make records. I literally cannot believe how lucky I am.”
Composed by 4X Oscar nominee, 2X Emmy Winner Danny Elfman (Milk, Big Fish, Men in Black, Good Will Hunting, Live from Lincoln Center, Desperate Housewives, The Simpsons) & 3X Emmy nom Chris Bacon (The Tick, Bates Motel, Smash, Gnomeo & Juliet, Sherlock Gnomes, Immanence).
Chris Bacon is a protege of the great James Newton Howard, and won an HMMA for Gnomeo & Juliet, which he shared with James and Bernie Taupin (Elton John). He previously worked with Elfman on When We Rise, Men in Black: International, Doctor Strange in the Multiverse of Madness.
Starring: Jenna Ortega (The Fallout, Yes Day, Stuck in the Middle, Scream, X), Gwendoline Christie (Game of Thrones, Star Wars: Episode VII - The Force Awakens, Star Wars: Episode VIII - The Last Jedi), Riki Lindhome (Garfunkel and Oates: Trying to Be Special, The Lego Batman Movie, Monsters vs. Aliens, Knives Out), along with Catherine Zeta-Jones (Chicago, Traffic, Ocean's Twelve), Luis Guzman (Boogie Nights, Carlito's Way), Christina Ricci (Addams Family, Yellowjackets) and Fred Arminsen (SNL)
Danny Elfman & Chris Bacon - Wednesday [Purple Goth with Smokey Shadow 2LP]
With a career spanning over 40 years, musician, artist and activist John Mellencamp is releasing his 25th full-length studio album Orpheus Descending via Republic Records. It was recorded at his own Belmont Mall Studio and produced by Mellencamp. The album is one of the most personal to date for the outspoken artist as he continues to show that he’s one of the best songwriters of his generation, focusing on social issues with standout songs "Hey God" and "The Eyes of Portland.”
John Coltrane
Evenings At The Village Gate: John Coltrane With Eric Dolphy [2LP]
Vinyl: $39.98 Buy
Lukas Nelson & Promise Of The Real
Sticks and Stones [Indie Exclusive Limited Edition Dark Blue w/ White Swirl LP]
Vinyl: $23.98 Buy
Lukas Nelson & Promise of the Real are back with Sticks and Stones, releasing 7/14 via 6ACE Records / Thirty Tigers. This self-produced, honest and emotional new album highlights Nelson's strength as a songwriter and the band's uncompromising commitment to clarity, compassionate tones, and exceptional melodic moments. Lyrically, Sticks and Stones spans the themes of Drinking, Heartbreak, Love, Lying, Hope, Nature, Self-Reflection, Work-Life Balance, Settling Down, Home, Time, Longing and more.
Multiplatinum singer/songwriter Lauren Spencer Smith announces her debut album Mirror to be released on July 14, 2023 via Island/Republic Records. Mirror features 15 deeply moving, personal songs which tell a story filled with autobiographical ups and downs. It’s an album that promises depth, range and narrative. By the age of 19, Lauren has two RIAA-Platinum singles ("Fingers Crossed" and "Flowers") and has amassed over 1 billion streams from singles featured on Mirror.
Double vinyl LP pressing. Members Only is a group XXXTentacion formed as he was still bubbling beneath the surface of the mainstream. The album features XXXTentaction, Ski Mask The Slump Godd, Kid Trunks, Robb Bank$, Craig Xen, Bass Santana, Flyboy Tarantino, Kin$oul, Killstation, Coolie Cut, Tank Head.
Also Available XXXTentacion - XXXtentacion Presents: Members Only Vol. 4
Snooper
Super Snõõper [Indie Exclusive Limited Edition Clear w/Green Wisp LP]
Snõõper is a fast, highly synchronized, and immersive band that was formed in Nashville during the start of the pandemic by musician, Connor Cummins and visual/ video artist, Blair Tramel.The full band made its live debut in September 2021 and has been on the go ever since. They won crowds over at Gonerfest 18 and 19, SXSW, Mosswood Meltdown and Music Frozen Dancing. They have toured across the US, in addition to supporting dates with Amyl and the Sniffers, Lil Ugly Mane, Cobra Man, Pissed Jeans, Uranium Club and Snail Mail. Snõõper integrates many different artistic mediums (music, video art, puppetry, assemblages, etc.) into their live shows to create a unique experience for viewers.
Taylor Swift -"Speak Now (Taylor's Version) - 3 LP - Taylor Swift's 2010 album "Speak Now" is being re-released on July 7 as "Speak Now (Taylor's Version)." The album will be released as a 3-LP vinyl - [Orchid Marbled 3 LP]
Grouplove
I Want It All Right Now [Indie Exclusive Limited Edition Baby Pink & White LP]
Vinyl: $29.98 Buy
"I Want It All Right Now" was produced by Grammy-winning producer John Congleton. They will be embarking on a North American stadium/arena tour with pop superstar P!nk. Los Angeles' Grouplove blend a quirky, '90s-style indie rock sensibility with a spirited, arena-ready roar. It's a sound they debuted on 2011's Never Trust a Happy Song, which spawned the number one Billboard Alternative Songs Chart hit "Tongue Tied." They have continued to straddle mainstream and indie success, playing festivals around the globe and remaining Top 20 Billboard Alternative chart regulars with albums like 2013's Spreading Rumours and 2020's Healer. In March 2021, Grouplove returned with their surprise fifth album, This Is This.
Alt-pop icon Gus Dapperton’s vast and ambitious album Henge builds a new world – tugging the listeners between night and day, socializing and solitude. With nearly 2 billion collective streams across his career – the Warwick, NY native constructed the album with the concept of entering an underworld as the sun goes down and trying to get home before dawn—or risk being stuck in a time loop. Sonically the album delivers a contemporary eclectic sprawl, at times landing between 80’s new-wave and 70’s funk. Collaborators include Cruel Santino, Ocean Vuong, and BENEE – who Dapperton reunites with musically following their double-platinum viral hit “Supalonely” which has amassed over 1 billion streams. Dapperton’s music maintains the intimacy that made his previous offerings so resonant – including singles Horizons, Wet Cement, and Don’t Let Me Down.
Solid Gold, the long-awaited solo debut album from acclaimed musician Miles Miller will be released July 7 via Thirty Tigers.
Produced by Sturgill Simpson, the album features twelve original songs and marks the first body of work released by Miller as a solo artist. The album was recorded over the course of three days in January 2022 in Nashville, TN.
Of the album, Miller shares, “Solid Gold is a love story, but about love being around and love leaving. It’s an entire story essentially about wanting to get back to the love you have, realizing you shouldn’t give it away, to love leaving, hitting the road because of it leaving, feeling love on the road, love from home, to realizing you need to keep walking and wish them well. It’s an album about the cycle of a love story that crumbles.”
Raised in central Kentucky, Miller has spent the better part of the past decade on the road as a drummer for artists including Sturgill Simpson and Town Mountain. In 2009, he was discovered by acclaimed producer Dave Cobb after playing drum covers on YouTube at the age of 16. While drumming and vocals are what he has been most noted for, playing guitar is his first love.
Spending time off of the road allowed him to hone in on his songwriting and it became clear that the time had come to step away from the drum kit and focus on his own artistic vision. This June, Miller will embark on a handful of dates supporting Tyler Childers. Additional tour dates to be announced.
Local Natives
Time Will Wait For No One [Indie Exclusive Limited Edition Canary Yellow LP]
Vinyl: $25.98 Buy
Lucinda Williams
Stories from a Rock N Roll Heart [Indie Exclusive Limited Edition Cobalt Blue LP]
Three-time Grammy Award winner Lucinda Williams will release her highly anticipated new album Stories from a Rock n Roll Heart on June 30th (Highway 20 Records/Thirty Tigers). 2023 will be a special year for Williams: she turned 70 in January and on April 25th will release her long-awaited memoir Don’t Tell Anybody The Secrets I Told You (Crown, a division of Penguin Random House LLC).
The last couple years have been challenging for Williams. In 2020, a tornado damaged her new home in Nashville, followed two weeks later by the beginning of the COVID lockdown. Later that November, Williams suffered a stroke that partially impaired some of her motor skills on the left side of her body, forcing her to learn to walk again and taking away her ability to play the guitar. Stories from a Rock n Roll Heart marks a triumphant return from one of our most revered artists and songwriters. Williams is in great form as heard on her new single “New York Comeback,” written by Williams, Tom Overby and Jesse Malin, with Patti Scialfa and Bruce Springsteen on backing vocals.
Stories from a Rock n Roll Heart was produced by Williams, Overby and Ray Kennedy, who also engineered. The album includes guest backing vocals by Jeremy Ivey, Jesse Malin, Buddy Miller, Angel Olsen, Margo Price and Tommy Stinson.
Wild Creatures is a career retrospective album containing twenty-three of Neko Case’s most impactful tracks from her discography, and will now be available on CD and 2x LP.
With a career spanning over twenty years, she has famously collaborated with The New Pornographers and Case/Lang/Veirs in addition to releasing many critically acclaimed solo albums, including ‘Fox Confessor Brings The Flood’, ‘Middle Cyclone’ and most recently 2018’s ‘Hell-On’.
Gathering power year after year, Neko sings with the fierce abandon of a newborn infant crying in a basket in the woods. Since escaping the labels of country and Americana, the gorgeous train-whistle vocals of her early career sit submerged in her later style, where their ghost can appear any minute. When her voice jumps an octave, it’s almost visible, like sparks at night. “I never knew where I wanted to go or what I wanted to do with my voice,” she says, “but I just wanted to do it so bad.”
The Vinyl configurations include: 2 LPs with printed inner sleeves, in a Gate- fold jacket.
Gag Order is an album that finds the GRAMMY-nominated pop star, Kesha, excavating the deepest recesses of her soul to date. The record, which Kesha has labeled “post-pop” and was produced by Rick Rubin, is a full-bodied collection that flows like a stream of conscious journey through the psychedelic dark depths of the human psyche followed by basking in the cleansing light when finally reaching the surface.
“Several times, as I listened to M. Ward’s Supernatural Thing, I asked myself what year it was. Was it 1952, and was I listening to a track from the Harry Smith Anthology? Was it 1972, and was I eavesdropping on the recording session for After the Gold Rush? No, it’s 2023, and M. Ward is one of the special contemporary artists who invite such questions. Ward has clearly mastered the whole vocabulary of American popular music and made serious decisions about how to employ it for his own ends. What Ward shares with Harry Smith’s artists and Neil Young is a context of musical and human values: authenticity and intimacy. Supernatural Thing’s original songs sound freshly pulled from the ground, with a little earth sticking to them. Ward’s lyric delivery has that slight rawness the ear loves, and his voice has quiet dignity and great tenderness. Supernatural Thing is an open-hearted, inviting album.
The album’s guest stars — First Aid Kit, Shovels & Rope, Scott McMicken, Neko Case, Jim James, others — enliven the album with surprises. On “Too Young to Die,” the women’s voices in First Aid Kit spread a light frosting over the melody, and their Beach Boys-like chorus on “Engine 5” makes the song sound like an instant hit. Eight of the album’s ten songs are Ward originals. There’s an unusual Bowie choice, “I Can’t Give Everything Away” from Blackstar, and a live rendition of Daniel Johnston’s ‘Story of an Artist.’” -By James Cushing
Both as a solo artist and as one-half of She & Him, M. Ward became one of the defining voices of the American indie landscape in the 2000s, earning fans and critical acclaim for his distinctive brand of breezy West Coast Americana which pulled from folk, country, blues, pop, and experimental indie rock elements. Ward established himself with warm, analog-minded releases like 2003’s Transfiguration of Vincent and 2006’s Post-War before joining forces with singer/actress Zooey Deschanel to form the highly successful indie pop duo She & Him in 2008. Over the following decade, Ward split his time between projects, releasing a 2009 album with indie supergroup Monsters of Folk, several high-profile albums with Deschanel including She & Him’s Columbia-issued 2014 set Classics, and critically acclaimed solo releases like 2009’s Hold Time, 2012’s A Wasteland Companion, and 2018’s What a Wonderful Industry. Ward kicked off the next decade with a deeply atmospheric set called Migration Stories and a Billie Holiday covers album Think of Spring most recently.
Produced by “The Great” Jeff Bhasker
GRAMMY-winning global superstar Kelly Clarkson is set to release her highly anticipated tenth studio album chemistry, arriving June 23rd, 2023. On her most personal album to date, these songs explore the arc of a relationship. About the album, Kelly says “having chemistry with someone is an incredible, and overwhelming, feeling. It’s like you have no choice in the matter. You are just drawn to each other. This can be good and bad. This album takes you down every path that chemistry could lead you down.”
Tommy Prine’s debut album “This Far South'' coming June 23, 2023 is not only a long awaited introduction but a testimony to Prine’s 20’s and the loss, love, and growth that has defined them. Co-produced by close friend and kindred musical spirit, Ruston Kelly, and beloved Nashville engineer and producer, Gena Johnson, the album is rich and dynamic from cathartic jams to nostalgic storytelling.
It wasn’t until Prine reached his mid-twenties, though, that he considered a career of his own in music and began to share with others the songs he wrote in private. His songs were quickly met with excitement and enthusiasm, which sonically brings together a colorful patchwork of musical influences and lyrically explores existential questions and emotional experiences.
The album’s title track, “This Far South'' marks a turning point in Prine’s life as he found himself struggling to escape a dark, aimless period. He ultimately found the courage to act on choices that would see him to the other, brighter, side.
“There were several years where I felt without purpose, spent all my time partying, and just existing. I found myself at a fork in the road and chose the better path, and in that moment, I swore I would never be This Far South again.”
Grief is a major throughline of Prine’s current work. In 2017, Prine lost his best friend to an overdose.
“Since then, I have lost some more friends and have others who are still navigating the ups and downs of struggles with drug abuse.”
His song, “Letter To My Brother”, was written as a message to the friends he’s lost, those in Recovery, and to friends who are still struggling.
He still grapples with the passing of his father in April of 2020. “The world lost one of the greatest songwriters of all time, but I lost my dad.” Prine bears the loss of his father and the memories he carries for others on the track, “By The Way”.
“When I'm playing certain songs, I can literally look out in the crowd and tell who else has lost their dad,” he says. “I can immediately tell which people have experienced, specifically, losing their father. They'll come up and tell me afterwards, and I'll be like, ‘Yeah, like, I figured that this conversation was going to happen,’ because I could see their reaction. It’s been really powerful to see real-deal evidence that grief is a shared experience, and that suffering is a shared experience between humans.”
Prine capped off 2022 with his first solo tour across the United States. He was heavily involved with You Got Gold, an event series in Nashville honoring the life and songs of John Prine, and performed at AmericanaFest as an official showcasing artist. He also debuted two original songs, “Ships in the Harbor” and “Turning Stones”.
“Ships in the Harbor” is a tender meditation on impermanence and change, with Prine communicating the universal experience of loss through poetic observations of the seemingly mundane. The song found its way onto a series of editorial playlists including Spotify’s Fresh Folk playlist and Amazon’s Fresh Folk & Ameriana playlist. It was also praised by a number of outlets including Billboard, Garden & Gun, and Saving Country Music who wrote, “With one song, Tommy Prine has already accomplished what many musicians and songwriters work their entire careers to accomplish, which is to make such an indelible emotional connection with an audience.”
This year, alongside his own runs of headline shows, Prine opened for Tyler Childer on his “Send In The Hounds Tour” in London. He was also named one of Amazon Music’s 2023 Breakthrough Artists to Watch.
“I feel like I've learned more about myself in the last year and a half than I ever have in my life,” Prine says. “And I think that speaks a lot to doing something that I'm passionate about. I love and respect the craft. Just hitting the road and doing what so many people before me have done and will continue to do, it's really resonated with me. I think it's transformed me into the person that I am meant to be.”
RSD Essential 039 * The Avett Brothers' 2007 release "Emotionalism" is the album that caught the attention of legendary producer Rick Rubin and got him to sign the band to their first major studio. "Emotionalism" also was their first album to crack the charts. Full of new Folk, Blues and Bluegrass riffs for a modern world, it is a lively take on everything from romance to paranoia. Of course, they still kick in some solid Rock 'N' Roll for good measure.
Bobbie Nelson’s musical career dates back to the 1940s. Naturally gifted on the piano, she played in churches, revival tents, concert halls and honky-tonks, eventually joining her brother Willie Nelson’s Family Band in the early ‘70s. Amanda Shires says: "Much of my path seemed possible because I saw a woman working and making a career of music at a young age, and that woman was Bobbie Nelson.” Loving You is a collection of songs the duo have played and treasured their entire lives.
Produced by Chris Thomas (Roxy Music, Sex Pistols, Pretenders, Wings), ‘Empty Glass’ was Townshend’s next solo release appearing in April 1980. The songs predominantly deal with issues Townshend was struggling with at the time, including the death of Keith Moon, the Who’s former drummer.
These limited-edition black vinyl versions have been mastered by long-time Who engineer Jon Astley and cut for vinyl by Miles Showell at Abbey Road Studios with a half-speed mastering technique which produces a superior vinyl cut and are packaged in original sleeves with obi strips and certificates of authenticity. ‘Empty Glass’ features a full-colour inner beg with full lyrics and a 300mm x 600mm poster.
‘Rough Mix’ was initially released in September 1977 while The Who were on hiatus and was a collaboration with Small Faces bassist the late Ronnie Lane and features contributions from Who bassist John Entwistle, Eric Clapton, and Rolling Stones drummer Charlie Watts amongst others.
These limited-edition black vinyl versions have been mastered by long-time Who engineer Jon Astley and cut for vinyl by Miles Showell at Abbey Road Studios with a half-speed mastering technique which produces a superior vinyl cut and are packaged in original sleeves with obi strips and certificates of authenticity. ‘Rough Mix’ is presented in a gatefold sleeve.