50 years following the release of his self-titled first solo album McCartney, featuring Paul playing every instrument and writing and recording every song, Paul McCartney will release McCartney III on December 11th. Paul hadnt planned to release an album in 2020, but in the isolation of Rockdown, he soon found himself fleshing out some existing musical sketches and creating even more new ones. Before long an eclectic collection of spontaneous songs would become McCartney III: a stripped back, self-produced and, quite literally, solo work marking the opening of a new decade, in the tradition of 1970s McCartney and 1980s McCartney II. Recorded earlier this year in Sussex, McCartney III is mostly built from live takes of Paul on vocals and guitar or piano, overdubbing his bass playing, drumming, etc. atop that foundation. McCartney III spans a vast and intimate range of modes and moods, from soul searching to wistful, from playful to raucous and all points between captured with some of the same gear from Pauls Rude Studio used as far back as 1971 Wings sessions. And Paul's array of vintage instruments he played on the new album have an even more storied history, including Bill Black of Elvis Presley's original trio's double bass alongside Paul's own iconic Hofner violin bass, and a mellotron from Abbey Road Studios used on Beatles recordings, to name but a few. Just as McCartneys 1970 release marked Pauls return to basics in the wake of the biggest band break-up in musical history, and the 1980 avant-garde masterpiece McCartney II rose from the ashes of Wings, McCartney III finds Paul back on his own, turning unexpected circumstances into a personal snapshot of a timeless artist at a unique point in history.
Amsterdam's Altin Gn have built a strong reputation for fusing past and present to make brilliantly catchy, upbeat pop music, as seen with their Grammy-nominated second album, Gece. Yol, their third album in as many years, continues that trend; while unveiling a number of sonic surprises in their continued exploration of Anatolian rock and Turkish psych-folk.
Reissue on vinyl of the fifth PJ Harvey studio album Stories From The City, Stories From The Sea. Produced by PJ Harvey with Rob Ellis and Mick Harvey, and originally released in October 2000, Stories From The City, Stories From The Sea features the singles Good Fortune, 'A Place Called Home' and This Is Love and includes a duet with Radiohead's Thom Yorke on 'This Mess We're In'. The album won the Mercury Music Prize in 2001. Reissue is faithful to the original recording and package, cutting by Jason Mitchell at Loud Mastering under the guidance of longtime PJ Harvey producer Head.
US Retail Exclusive 2LP Clear with Blood Red Splatter Vinyl with Embossed Cover. Limited to 2000.
The first release from Mr. Bungle since 1999. The Raging Wrath Of The Easter Bunny Demo is a re-recording of the band's 1986 high school thrash metal demo along with songs written then, but never recorded. The record also features covers of classics by S.O.D. and Corrosion Of Conformity. This version of Mr. Bungle is original members Mike Patton, Trey Spruance and Trevor Dunn, joined by Scott Ian of Anthrax and Dave Lombardo of Slayer/Dead Cross
Vinyl LP pressing. 2020 release. "Change is inevitable if you're lucky," says guitarist/vocalist Alex Edkins while talking about Atlas Vending, the fourth full-length album by Toronto's METZ. "Our goal is to remain in flux, to grow in a natural and gradual way. We've always been wary to not overthink or intellectualize the music we love but also not satisfied until we've accomplished something that pushes us forward." The music made by Edkins and his compatriots Hayden Menzies (drums) and Chris Slorach (bass) has always been a little difficult to pin down. Their earliest recordings contained nods to the teeming energy of early '90s DIY hardcore, the aggravated angularities of This Heat, and the noisy riffing of AmRep's quintessential guitar manglers, but there was never a moment where METZ sounded like they were paying tribute to the heroes of their youth.
The Ascension is the eighth studio album from singer, songwriter and composer Sufjan Stevens and is the long awaited follow-up to Stevens Carrie & Lowell. One of the most acclaimed albums of 2015, The New York Times praised Carrie & Lowell as restrained and meticulous while Pitchfork declared it a masterpiece.
In the time between Carrie & Lowell and the forthcoming The Ascension, Stevens also released Oscar-nominated music for the Luca Guadagnino film Call Me By Your Name; a collaborative album entitled Planetarium with Nico Muhly, Bryce Dessner (The National) and James Mcalister; The Decalogue, a solo piano work performed by Timo Andres; and scored several works for ballet: Reflections (Houston Ballet) and Principia (NYCB).
The Ascension is musically expansive and sweeping in thematic scope.
12" Vinyl Standard jacket with printed inner sleeve
Barely a year after the release of their acclaimed debut album 'Dogrel' (which charted Top 10 in the UK, earned a Mercury Prize nomination, Fallon performance, and #1 Album of the Year positions for BBC 6Music and Rough Trade), Fontaines DC have returned with an intensely confident, patient, and complex sophomore album. 'A Hero's Death' arrives battered and bruised, albeit beautiful - a heady and philosophical take on the modern world, and its great uncertainty.
Violet Bent Backwards Over the Grass is the title poem of the book and the first poem I wrote of many. Some of which came to me in their entirety, which I dictated and then typed out, and some that I worked laboriously picking apart each word to make the perfect poem. They are eclectic and honest and not trying to be anything other than what they are and for that reason Im proud of them, especially because the spirit in which they were written was very authentic. Lana Del Rey .The recording includes 14 poems performed by Lana Del Rey accompanied by music from Grammy Award-Winning songwriter/producer Jack Antonoff.
Vinyl: $79.98 Buy
Princes iconic album,Sign O The Times, has been remastered for the very first time by Princes original mastering engineer Bernie Grundman.
- LP1-2: Sign O The Times album (2020 Remaster)
- LP3-4: 13x singles mixes and edits, all newly remastered
Coming July 24th: Spoon's first EP Soft Effects is back in print for the first time since its initial release nearly 25 years ago. Newly recut from the original masters, the EP is available on vinyl and as part of a CD compiling the five tracks with Spoon's debut LP Telephono. Soft Effects vinyl features blue sky cover never before used in physical packaging.
52 page hardbound foil stamped coffee table book with 2 LPs, handwritten lyrics and over 20 previously unseen photographs.
When Elliott Smith's self-titled second album came out in 1995, it was ignored by the press but championed by artists from the Beastie Boys to Fugazi. To commemorate the twenty-fifth anniversary of Elliott Smith, the Kill Rock Stars label is releasing a special deluxe package, which includes a new remastering of the original record; a coffee table book of previously unseen photographs by JJ Gonson with handwritten lyrics, reminiscences from Smith's friends and colleagues, and previously unseen photographs; and a bonus disc documenting the earliest known recording of Smith performing as a solo act. The set is a revelatory look at an under-appreciated work by an artist whose influence continues to expand seventeen years after his death.
Coming July 24th: Spoon's debut LP Telephono is back in print for the first time since its initial release nearly 25 years ago. Newly recut from the original masters, the 14 tracks are available as a single LP or as a CD that includes the five song 1997 EP Soft Effects.
Sometimes it feels like you hear a Bright Eyes song with your whole body. From Conor Obersts early recordings in an Omaha basement in 1995 all the way up to 2020, Bright Eyes music tries to unravel the impossible tangles of dissent: personal and political, external and internal. Its a study of the beauty in unsteadiness in all its forms in a voice, beliefs, love, identity, and what fills up the spaces in-between. And in so many ways, its just about searching for a way through.
The year 2020 is full of significant anniversaries for Bright Eyes. Fevers and Mirrors was released 20 years ago this May, while Digital Ash in a Digital Urn and Im Wide Awake Its Morning both turned 15 in January. The latter, a singer-songwriter tour-de-force released amidst the Bush presidency and Iraq war, wades through incisive anti-war rhetoric and micro, intimate calamities. On the title track and throughout the record, Oberst sings about body counts in the newspaper, televised wars, the bottomless pit of American greed, struggling to understand the world alongside ones own turmoil. In its own way, Im Wide Awake Its Morning carved out its place in the canon of great anti-war albums by being both present and prophetic, its urgency enduring 15 years later.
In 2011 the release of The Peoples Key, Bright Eyes ninth and most recent album, ushered in an unofficial hiatus for the beloved project. In the time since, the work of the bands core members Oberst, multi-instrumentalist Mike Mogis, and multi-instrumentalist Nathaniel Walcott has remained omnipresent, through both the members original work and collaboration.
In recent years, Mogis produced records for beloved folk acts First Aid Kit and Joseph, among others, as well as mixed the fine-spun ennui of Phoebe Bridgers breakthrough 2017 debut, Stranger in the Alps. Mogis and bandmate Walcott also teamed up to write the original scores for The Fault in Our Stars, Stuck in Love, and Lovely Still, and Walcott worked as a solo composer scoring number of independent feature-length films. Walcott spent extensive time on collaboration; in addition to his arrangement work for Mavis Staples, First Aid Kit, and M. Ward, he contributed studio work to artists ranging from U2 to jazz guitarist Jeff Parker, and also toured heavily as a member of the Red Hot Chili Peppers.
Oberst, whos nearly 30 years into a prolific musical career, spent the last decade in similarly productive fashion. Across three years he released a string of solo albums: Salutations (2017), Ruminations (2016), and Upside Down Mountain (2014), as well as guested on records by First Aid Kit, Phoebe Bridgers, and Alt-J. His punk band, Desaparecidos, emerged from a 13-year hiatus in 2015 with the thunderous sophomore LP, Payola, a white-knuckled disarray of hollered political fury. And at the top of 2019, Oberst and Bridgers debuted their new band, Better Oblivion Community Center, digitally dropping the critically-lauded eponymous debut LP alongside a surprise performance on The Late Show with Stephen Colbert.
The heart at Bright Eyes songwriting still looms culturally, in films and TV shows and through re-imaginings by other artists. Mac Miller covered both Lua and First Day of My Life; Lordes version of the penultimate The Peoples Key track, the funereal-waltz Ladder Song, was a focal point of The Hunger Games soundtrack; The Killers covered Four Winds for their Spaceman EP; and Lil Peeps Worlds Away samples Something Vague while Young Thugs Me Or Us samples First Day of My Life.
Bright Eyes expansive catalog has traversed genre, sound, and countless players; unpolished demos or fuzzy folk, electrified rock or country twang. The sharp songwriting and musicianship is all anchored in Bright Eyes singular ability to flip deep intimacy into something universal. For so many, for so long, listening to Bright Eyes has been like hearing yourself in someone elses song a moment of understanding or illumination, knowing youre on the same team looking for a way to move through of all this shit.
And while 2020 is a year of milestones for the band, its also the year Bright Eyes returns, newly signed to indie label Dead Oceans. Amidst the current overwhelming uncertainty and upheaval of global and personal worlds, Oberst, Mogis, and Walcott reunited under the moniker as both an escape from, and a confrontation of, trying times. Getting the band back together felt right, and necessary, and the friendship at the core of the band has been a longtime pillar of Bright Eyes output. For Bright Eyes, this long-awaited re-emergence feels like coming home.
Double vinyl LP pressing - Includes Digital Download.
2020 release. Fetch the Bolt Cutters is the fifth studio album by American singer-songwriter Fiona Apple. It is Apple's first release since The Idler Wheel... in 2012. The album was recorded from 2015 to 2020, largely at Apple's home in Venice Beach. It was produced and performed by Apple alongside Amy Aileen Wood, Sebastian Steinberg and Davíd Garza; recording consisted of long, often-improvised takes with unconventional percussive sounds. Rooted in experimentation, the highly percussive album resists genre categorization. While conventional instruments, such as pianos and drum sets, do appear, the album also features prominent use of non-musical found objects as percussion. Apple described the result as "percussion orchestras". These industrial-like rhythms are contrasted against traditional melodies, and the upbeat songs often subvert traditional pop structures.
After a legendary career as the enigmatic frontman for Pulp, and a successful run of solo albums and collaborations, Jarvis Cocker debuts his first new full length album since 2009 with musical project JARV IS' JARV IS... an ongoing live experience because life is an ongoing live experience. THIS IS NOT A LIVE ALBUM'it's an ALIVE ALBUM. Thanks for listening.
Rough and Rowdy Ways is Bob Dylans first album of original material in 8 years and his first since becoming the only songwriter to receive the Nobel Prize for Literature, in 2016. Its 10 tracks include the three new songs released this spring: the albums lead-off track, I Contain Multitudes, the nearly 17-minute epic Murder Most Foul and False Prophet.
Standard weight clear vinyl
The Waterfall II completes The Waterfall, My Morning Jackets acclaimed 2015 record. Originally intended to be a sprawling triple album, the band were advised to hold back and keep some of it on the shelf. Until now! Frontman Jim James says, "this is simply the second half of a long snapshot of life for me as a writer in the years leading up to 2014, and the life of us as a band as we lived and worked in the epic country in and around Stinson Beach, CA during these recording sessions."
After years spent looking out at landscapes and loved ones and an increasingly unstable world, Rolling Blackouts Coastal Fever have turned their gaze inward, to their individual pasts and the places that inform them, on their second full-length, Sideways to New Italy. Led by singer-songwriter-guitarists Tom Russo, Joe White and Fran Keaney, the guitar-pop five-piece returned home to Australia after the relentless touring schedule that came following their critically regarded 2018 debut Hope Downs. Feeling the literal and metaphorical ground under their feet had shifted, the band began grasping for something reliable. For Keaney, that translated into writing "pure romantic fiction" and consciously avoiding the temptation of angsty break-up songs, while Russo looked north to a "bizarre place" that captured the feeling of manufacturing a sense of home when his own had disappeared. The New Italy of the new albums title is a village near New South Wales Northern Rivers the area drummer Marcel Tussie is from. A blink-and-you'll-miss-it pit-stop of a place with fewer than 200 residents, it was founded by Venetian immigrants in the late-1800s and now serves as something of a living monument to Italians' contribution to Australia, with replica Roman statues dotted like alien souvenirs on the otherwise rural landscape. The parallels to the way the band attempted to maintain connections and create familiarity during their disorienting time on the road was apparent to Russo. "These are the expressions of people trying to find a home somewhere alien: trying to create a utopia in a turbulent and imperfect world." The record's geographic identity emerged from the band losing their grip on their own, whether that was through the pressure of touring, the dissolution of relationships, a frustrating distance from their daily lives or some combination of all three that came from being slingshotted all over the world, playing sold-out headline tours and festivals including Coachella, Governors Ball, Primavera Sound, All Points East, and Pitchfork Music Festival. The notion of crafting, in Russos words, a utopia of where your hearts from, permeates Sideways to New Italy, in which early attempts at writing big, high-concept songs about The State of the World were abandoned in favor of love songs, and familiar voices and characters filter in and out, grounding the band's stories in their personal histories. Theres something comforting, too, in knowing the next time theyre buffeted from stage to stage around the world, theyll be taking the voices of their loved ones with them, building a new totem of home no matter where they end up.
Arca is one of the world's most transformative musical talents. Since breaking through with her 2012 EPs Stretch 1 and Stretch 2, she's created an unprecedented body of work drawing from club music, experimental noise, and the ballad tradition of her native Venezuela, while reaching beyond music to encompass performance, visual art, and technology. As a collaborator with Björk, Kanye West, and FKA twigs, she's stretched contemporary music's sonic boundaries and helped set the sound of her era. As a Latinx nonbinary trans woman, she's redefined the role of the diva for a new generation. Her latest work is KiCk i, the first in a series of upcoming works, each with it's own sonic theme. For the first installment, KiCk i, Arca pursues pleasure, dignity, and dance floor liberation by refracting club music, reggaetón, and pop through her radical vision.
Double vinyl LP pressing. 2020 release. Women in Music Pt. III is the third studio album by American band HAIM. Released through Columbia Records. It was produced by Danielle HAIM, Rostam Batmanglij and Ariel Rechtshaid, and was preceded by the singles 'Summer Girl', 'Now I'm in It' and 'Hallelujah'.
This is the second volume of the Neil Young Archives. A series of box sets produced by Neil Young that provide a definitive, comprehensive chronological record of his entire body of released work.
This box set spans the years 1972 through 1976, a productive and prolific period for Neil that included the release of the classic albums On The Beach, Tonights The Night and Zuma. Homegrown is part of this history as well. The collection features many unreleased songs, plus unreleased alternate versions, different mixes, rare and live tracks from Neil Young solo, and with bands Crazy Horse, The Stray Gators, The Santa Monica Flyers and Crosby, Stills, Nash & Young.
Adult Mom began as the solo project of Stevie Knipe in a Purchase College dorm room in 2012, and now falls between the playful spectrum of solo project and collaborative band with beloved friends and musicians Olivia Battell and Allegra Eidinger.
On Driver, Adult Moms third studio release, Stevie Knipe delves into the emotional space just beyond a coming-of-age, where the bills start to pile up and memories of college dorms are closer than those of high school parking lots. Like so many other twenty-somethings, Adult Moms third LP seeks to answer the age old question: what now?
With an actualized sound, Adult Mom has arrived to soundtrack the queer rom-com theyve been dreaming of since 2015. Driver incorporates an expert weaving of sonic textures ranging from synths and shakers to 00s-inspired guitar tones which convey a loving attention to detail.
The first Gillian Welch & David Rawlings collaboration to feature both of their names, All The Good Times, a collection of 10 acoustic covers recorded at home, received a 2021 Grammy nomination for Best Folk Album. After a devastating tornado ravaged Nashville in the Spring of 2020 making their studio unusable, immediately followed by a global pandemic shutting down their community and touring livelihood, Welch and Rawlings were able to find the inspiration to set up recording equipment in their home living room and record ten performances on their reel-to-reel of some of their favorite songs from the likes of John Prine (Hello In There), Bob Dylan (Abandoned Love), Norman Blake (Ginseng Sullivan), and more. According to Uncut magazine, The 10-song collection is the equivalent of being welcomed into Welch and Rawlings living room and the pair treating you to a private recital. In other words, it doesnt get much better than this.
Jimbo Mathus & Andrew Bird will be teaming up for a new release called "These 13" on 3/5. It is a little bit folk, a little bit gospel, a little bit bluesy, a little bit Hank, a little bit hill country, but most emphatically, it is all heart. Andrew Bird and Jimbo Mathus have climbed the height of their creative ladders in this collection of soul-strung songs, both lyrically and musically, a synchronicity between the two that feels joined in some special imaginative place that can only be visited by the best of songwriters. All songs written and performed by Andrew Bird + Jimbo Mathus. Album was produced by Mike Viola
ARCHITECTS are back with their ninth studio albumFor Those That Wish To Exist. The band have confirmed their ascent to the very upper echelons of British heavy music. Few bands, of this modern era or any other, can match the quintets ability to blend uncompromising heavi-ness with razor-sharp melodic musicianship.
A versatile metal group based out of Brighton, England, Architects employ a lethal combination of breakdown-heavy guitars, melodic vocals and symphonic-ambient post-metal. That sonic delivery is conducted from a platform built on veganism and environmental activism.
Life is Not a Lesson is Glitterers second full-length album, featuring Ned Russin, bassist/vocalist of seminal hardcore-punk band Title Fight. This time Ned has produced the record himself, notwithstanding some recording and performance help from his twin brother, Ben, and some other friends, as well as mixing and mastering by Arthur Rizk (Code Orange, Power Trip). It may surprise you to hear that, irrespective of worldly doom and gloom, the new songs are even catchier and bigger-sounding than those from his 2019 release, Looking Through the Shades. With roomier drums and more electric-guitars-per-square-inch than ever, Life is Not a Lesson has a way of evoking an alternate-universe version of Guided By Voices, one with a hardcore-punk background. Life is Not a Lesson proves to be a rigorous reckoning with the life of the mind at a time when theres not much life outside the mind.
MP3 Album: $9.99 Download
Named for the city that launched the original Alice Cooper group on the road to success, Detroit Stories follows last years Breadcrumbs EP as a modern-day homage to the toughest and craziest Rock n Roll scene there ever was.
In 1970, fledgling producer Bob Ezrin walked into a farmhouse on the outskirts of Detroit to work with the Alice Cooper band. Abandoning flower power Los Angeles, because they were the opposite of the hippie peace and love ideal, Alice had brought his decidedly darker gang back to his birthplace to the legendary rock scene that gave birth to hard rock, garage rock, soul, funk, punk...and more.
Ezrin drilled the band for 10 hours a day to define their signature sound. Whenever they nailed a song, the inmates at the hospital for the criminally insane across the road cheered and thus the classic Alice Cooper sound was born.
Los Angeles had its sound with The Doors, Love and Buffalo Springfield, says Alice Cooper, San Francisco had the Grateful Dead and Jefferson Airplane. New York had The Rascals and The Velvet Underground. But Detroit was the birthplace of angry hard rock. After not fitting in anywhere in the US (musically or image wise) Detroit was the only place that recognized the Alice Cooper guitar driven, hard rock sound and our crazy stage show. Detroit was a haven for the outcasts. And when they found out I was born in East Detroit... we were home.
50 years later Alice and Ezrin gathered some legendary Detroit musicians in a Detroit studio to record Detroit Stories, Alice Coopers new album that celebrates that spirit for a new era. If 2019s Breadcrumbs EP laid down the trail to the city, Detroit Stories drives like a muscle car right down Woodward Ave.
Discover Detroit Stories as they were meant to be told.
The self-titled, full-length debut from Bones Owens is a selection of songs both gloriously gritty and undeniably euphoric. In a bold departure from the moody Americana of his acclaimed EPs Hurt No One and Make Me No King, the Missouri-bred musicians first release with Thirty Tigers delivers a powerful sound deeply inspired by 60s garage-rock, Hill Country blues, and the swampy roots-rock of bands like Creedence Clearwater Revival (the first record I remember stealing from my dad when I was ten and just starting to play guitar, according to Owens). A potent showcase for his formidable guitar worka talent hes displayed in performing with artists as eclectic as Yelawolf and Mikky EkkoBones Owens arrives as a full-tilt expression of Owens wildest impulses, all swinging rhythms, and swaggering riffs.
The soundtrack is a perfect complement to the film available on 3 CDs for the Zappa completist. Showcasing 69 total songs, with 12 previously unreleased recordings from archive along with the 1978 Saturday Night Live performance; 24 additional Zappa songs from the catalog spanning 4 decades; songs from Zappa's labels Straight / Bizarre Records; 2 classical compositions by Edgard Varese and Igor Stravinsky; and 26 Original Score cues newly composed by John Frizzell for the documentary.
One of Australia's greatest self-made successes, Tash Sultana is a one-person powerhouse who commands multiple instruments and gear, whether on-sage or in-studio. A globe-trotting sensation with a live show that needs to be seen to be believed, the 25-year-old's second album Terra Firma is a natural evolution of their multi-dimensional jams. The follow-up to 2016's ARIA-winning Flow State was recorded in a custom-built studio over nearly a year. From the expansive 'Coma' to the evocative 'Greed', almost every note was composed, arranged, performed and engineered by Tash. Improving significantly as a singer, player, producer and arranger, the solo star - for the first time - opened up to like-minded collaborators, including Matt Corby and Dann Hume, Jerome Farah, and Josh Cashman. Spiritually, Terra Firma finds the artist reconnecting to their roots, returning to earth after the dizzying heights of success, and reminding themselves who they are and what it means to be human. Musically however, its 14 tracks take root into far-reaching sonic territory, departing from loops and layers towards meditative combinations of soul, funk, RnB, folk, rock, hip hop ' you name it.
Since forming in 2007, Icon For Hire (composed of singer Ariel Bloomer and guitarist Shawn Jump) have quietly amassed a legion of followers. Currently sitting at over half a million monthly listeners on Spotify, Icon For Hire are the sleeping giants of the modern rock scene, and are now ready to step into the forefront with new album Amorphous.
Icon For Hires sound is one that effortlessly blends heavy riffs, elements of electronic production and soaring vocal lines into a powerful & bold sonic explosion.However, at the heart of Icon For Hires music is a message of positivity, self-love and personal empowerment from the painfully relatable and rousing lyrics of Ariel.
For Amorphous, the band worked with Grammy Nominated engineer Romesh Dodangoda (known for his previous work producing the last Bring Me The Horizon album as well as acts such as Don Broco, Busted, and Kids in Glass Houses).
The album has been completely funded by fans through Kickstarter. This success was achieved thanks to the bands highly dedicated ICON Army fanbase that support them on Patreon and have been there for the band though thick, thin, litigation, addiction and more.
Having overcome both personal and professional adversity, Icon For Hire are living proof that you can take control of your lifeand thats perhaps the greatest success anyone can hope to accomplish.
Los Angeles, CAs Weezer will release their fourteenth studio album, entitled OK Human, on Friday, January 29th on Crush Music/Atlantic. The albums first single, All My Favorite Songs, can be heard now.
The world may seem like a pretty strange place right now, but if nothing else thats forced us into realizing that being human is a shared experience. That sentiment lies at the core of Earth Is A Black Hole, the second full-length from the Los Angeles rock act Teenage Wrist.
The album also marks the groups first release as a duo, with guitarist Marshall Gallagher stepping up as frontman, and longtime drummer Anthony Salazar backing him up in spectacular fashion. Gallagher explains. I wanted to keep this band going and we didnt know exactly what that would look like, so I wrote two songs and demoed them myself to see if everyone was still on board. Those songs turned out to be the jangly power ballad Yellowbelly and spacey rocker Wear U Downand with that, a new era of Teenage Wrist was born.
The artistic liberation of this lineup change, coupled with the past two years the band spent touring alongside genre-smashing acts such as Thrice, allowed Teenage Wrist to expand on the shoegazing sound that helped establish them as one of the most exciting rock bands around today. From lush, guitar-driven songs like High Again to the atmospheric ambience of Stella and syncopated aggression of Earth Is A Black Hole,most evidently on the swirling anthem Silverspoon, Earth Is A Black Hole sees the band shifting their songwriting focus to a more modern sound that showcases the limitless potential of the band.
The Pretty Reckless new album Death By Rock And Roll is their most ambitious release yet. It was written through the heartbreaking losses of Chris Cornell, who was one of frontwoman Taylor Momsens musical muses, and longtime collaborator Kato Khandwala. The titular single became their fifth #1 at Active Rock Radio, a first for a female-fronted group. Features 25, And So It Went w/ Tom Morello, & Only Love Can Save Me Now w/ Matt Cameron & Kim Thayil.
Double LP features a special etching on Side D.
Loretta Lynn introduced the world to a crucial aspect of American life that was rarely acknowledged when she released her 1970 autobiographical album, Coal Miners Daughter. Already a country star with chart-topping singles, this title track, led a string of #1 hits and became her first recording inducted into the GRAMMY® Hall Of Fame. In addition, she was among a notable list of singer/songwriters who brought a womans perspective to country music. Celebrating 50 years.
Reissue of DIOs long out of print 2008 Live release.
Newly remastered & newly created cover art
LIMITED EDTION VINYL VERSION INCLUDES LENTICULAR 3D ALBUM SIZED ART PIECE ALONG WITH 3LP 180g BLACK VINYL/ TRIPLE GATEFOLD
Also Available in 2CD Deluxe Mediabook and 3LP 180g Black Vinyl/Triple Gatefold Standard Edition
Features the legendary DIO album HOLY DIVER performed live in its entirety plus DIO classics from across his career including Black Sabbath and Rainbow!
Recorded Live at the London Astoria
Reissue of DIOs long out of print 2005 Live release
Newly remastered & newly created cover art
LIMITED EDTION VINYL VERSION INCLUDES LENTICULAR 3D ALBUM SIZED ART PIECE ALONG WITH 3LP 180g BLACK VINYL/ TRIPLE GATEFOLD
Also Available in 2CD Deluxe Mediabook and 3LP 180g Black Vinyl/Triple Gatefold Standard Edition
Features the complete live show experience as if you were there, including never before released version of Lord Of The Last Day and an amazing Simon Wright drum solo not on the original release!
Both 3LP Vinyl Versions feature special mini 4 track bonus from the 1996-2004 studio albums featuring This Is Your Life (from Angry Machines), Fever Dreams (from Magica), Push (from Killing The Dragon) & The Eyes (from Master Of The Moon)
"Music is medicine to the people" Common A Beautiful Revolution finds Common returning to his hip-hop roots. A full length continuous listening experience, the EP features 2 interludes and 7 new songs that Common refers to as Movement Music; music to uplift, heal, and inspire listeners dealing with racial and social injustices. Its recognition. Its elevation. Its music to go with a movement. To help channel pain and outrage into something productive, inspirational and good. Includes the song, Dont Forget Who You Are, which was written and recorded by Common for Bookmarks, an impactful new childrens show produced by the Obamas for Netflix. Lead single and performance video "Say Peace" featuring Black Thought is set to air on The Tonight Show with Jimmy Fallon in late 2020. Limited Indie Red/White/Blue Marble LP
Medicine at Midnight is the new album from Foo Fighters, and packs nine new songs into a tight-ass 37 minutes. This collection includes the smoldering new single, Shame Shame. Medicine at Midnight is produced by Greg Kurstin and Foo Fighters, and is the bands 10th album.
Foo Fighters are Dave Grohl, Taylor Hawkins, Nate Mendel, Chris Shiflett, Pat Smear, and Rami Jaffee.
Every now and then an artist comes along who makes you remember why you started listening to albums in the first place: Aaron Lee Tasjan is that artist. With his off-center charm and restless creative dazzle, he makes music with conviction that has its roots in rocks murky past, armed with an arsenal of songs that spill over with humor, intelligence, irony, and at times prophecy.He updates the idea of androgyny but dispels the emotional and social ambiguity with lyrics that reflect his own geographic and artistic wanderings.
Tasjan! Tasjan! Tasjan! is 11 songs. The man who began the album, is not the same man who completed it, transformed both by the experiences that inspired the songs and crafting them. This is not anxious music for anxious times, but rather music as an antidote for anxious times. It is the sound of the future arriving.
CD: $439.99 Buy
There are box sets and then there are BOX SETS. John Mayalls The First Generation 1965-1974 set sits firmly in the latter category, being substantial both in the artefacts contained within and the superb music it encompasses.
The first set of this size to be released documenting John Mayalls early years sees not only all albums from his much lauded formative career, but also unreleased tracks aplenty. Featuring Eric Clapton, Peter Green, Mick Taylor, Harvey Mandel, Blue Mitchell, Jon Mark and many more outstanding musicians, this mammoth package contains 35 CDs, a beautiful hardback book and much more.
Not for nothing did Mayall earn the moniker Godfather of the British Blues. For a short but compelling time in the 60s and 70s he recognised raw talent, took it in, nurtured it, and everyone thrived and benefitted as a result. Many of the best musicians of the period passed through the hallowed ranks of John Mayalls Bluesbreakers. All are on show here in a stunning set crammed with musical highlights.
Put together with John Mayalls full co-operation, the full list of contents is as follows:
35 DISCS, inc. 3 CD singles & 8 previously unreleased discs, alongside newly remastered versions of the original Decca & Polydor albums
MUSIC FROM SEVEN UNRELEASED GIGS (inc. Windsor 1967, Gothenburg 1968, Berlin 1969 and San Francisco 1970)
28 PREVIOUSLY UNRELEASED BBC TRACKS featuring Eric Clapton, Peter Green and Mick Taylor
HARDBACK BOOK inc. many rare photos and memorabilia plus a full gig listing for the period INDIVIDUALLY SIGNED PHOTOGRAPH
FAN CLUB BOOK of letters and correspondence 2 REPLICA POSTERS - Ten Years Are Gone and 1968 tour poster
REPLICA PRESS PACK for John Mayall Plays John Mayall
'For the first time' is the highly anticipated, debut album from 'Black Country, New Road' - a new UK based seven-piece, who have gained huge tastemaker press and radio support in the UK, US and internationally including NPR, KEXP, WFUV, The Fader, The Guardian, Loud & Quiet and more, off the back of just two singles releases in 2019. They are the latest stars from the famed Brixton Windmill scene - other acts from this scene include black midi, Squid, Fat White Family and Shame. First single 'Athen's France' was released on tastemaker label Speedy Wunderground, helmed by producer Dan Carey (Kate Tempest, Natasha Khan), 'Sunglasses' followed on Thurston Moore affiliated, Blank Editions. Recorded with Andy Savours (My Bloody Valentine), the album is the perfect capturing of a new band and all the energy, ferocity and explosive charge that comes with that.
Vinyl: $18.98 Buy
A Benefit For Equality Vol. 1 celebrates Black Artistry in the blues genre. A portion of the proceeds will benefit the NAACP.
Highly anticipated debut from 2020 breakthrough artist, london-based musician and poet Arlo Parks.
"My album is a series of vignettes and intimate portraits surrounding my adolescence and the people that shaped it. It is rooted in storytelling and nostalgia - I want it to feel both universal and hyper specific."
Recent press features have seen her grace the cover of NME and Dork Magazine as well as being included on the 2020 Dazed 100 List. And all whilst performing stand-out shows for the revered COLORS and NPR's Tiny Desk series - plus being one of only three artists to perform at Glastonbury this year.
Arlo has also been named an ambassador for the British mental health charity, CALM. Whilst her songwriting has seen her gain new fans in; Billie Eilish, Florence Welch, Michelle Obama, Angel Olsen and Wyclef Jean, among others.
"A minor key moonbeam"
Her songs are the results of an alchemy that combines shiver-inducing highs with sweet, molasses-coated lows
gritty, visceral storytelling that shines through her songwriting
Pigeons & Planes
"Arlo Parks gives teen angst a human face"
Like the great river that flows through Memphis, the music of Lucero keeps rolling on, twisting and turning through the years, the same dark and brooding steadiness always at work. Since forming in late the 90s, this group of Memphis road-dogs has mixed heartfelt lyrics with the sounds of early rock and roll, classic punk, country-folk, and deep-fried Southern soul. Its a sound that stands on the pillars of American music, born more of feeling than technique, delivered night after night to legions of fans in dive bars and theaters, and on stages as august as Red Rocks Amphitheater and the Ryman. In short, its music that is built to last, impervious to trends. For their tenth studio album, When You Found Me, the band continues its natural evolution, this time tapping into a more atmospheric, widescreen vision (one that wouldnt seem out of place on a Reagan-era FM dial) while still staying tethered to its roots. I wanted a very classic rock sound for this album, says songwriter and frontman Ben Nichols. I wanted it to sound like stuff I heard on the radio growing up. I didnt want to make a retro record at all, but I did want to reference some of those sounds and tones and moods. I think we struck a nice balance between nostalgia and something that still sounds like contemporary Lucero.
'Film Music 1976 - 2020' - This long-awaited album brings together 17 tracks from Eno's most recognisable film and television work spanning 5 decades. Eno's music has been used in hundreds of films and he has composed more than 20 soundtracks for some of the best known directors in the world including David Lynch, Danny Boyle, Peter Jackson, Michelangelo Antonioni, Derek Jarman and Michael Mann. Compositions such as "Ship in a Bottle" in "The Lovely Bones", "Prophecy Theme" from "Dune", "Deep Blue Day" in "Trainspotting", "Late Evening in Jersey" in "Heat", "Beach Sequence" in Antonioni's last film "Beyond The Clouds" and "An Ending (Ascent)" from Al Reinert's ground-breaking "For All Mankind" have contributed significantly to memorably iconic scenes. Eno has also scored extensively for television, including all 3 series of the gritty UK crime drama, "Top Boy" for which he received a Bafta, and Danny Boyle's "Mr Wroe's Virgins" which earned him and his brother Roger a Bafta nomination. This release features over an hour of classic Eno compositions and includes several previously unreleased tracks.
Written as an intense version of therapy after Dikembe guitarist/vocalist Steven Gray's mother passed away, and with the most exhaustive and extensive recording process since their inception, Dikembe's new album Muck digs deep into the "sticky feelings" surrounding mental illness, depression and anxiety. Facing fear and an absence of hope, Muck accepts the harsh realities of life, and deals with the choices we have to make when faced with difficult decisions: "Why swim when you can sink?"
MP3 Album: $9.99 Download
Out on dBpm Records, Love Is The King, a beautifully honest ode to love and hope, is the follow-up to 2018s WARM and 2019s WARMER, and comes on the heels of Tweedys second book, How To Write One Song, out October 13th via Penguin Random House's Dutton. At the beginning of the lockdown I started writing country songs to console myself. Folk and country type forms being the shapes that come most easily to me in a comforting way. 'Guess Again' is a good example of the success I was having at pushing the world away, counting my blessings taking stock in my good fortune to have love in my life, comments Tweedy. A few weeks later things began to sound like 'Love Is The King' a little more frayed around the edges with a lot more fear creeping in. Still hopeful but definitely discovering the limits of my own ability to self soothe." Jeff Tweedy
MP3 Album: $12.99 Download
Eminem is back with "Music To Be Murdered By - Side B" Deluxe Edition. Features 16 new tracks (13 tracks + 3 skits). Executive produced by Eminem and Dr. Dre, the deluxe album features Skylar Grey, DJ Premier, Ty Dolla $ign, Dr. Dre, Sly Pyper, MAJ and White Gold.
Beach Bunny announce their new EP Blame Game out January 15, 2021 via Mom+Pop Music. The new EP follows the bands 2020 Billboard Top 10 debut album Honeymoon, which received 4 STARS from Rolling Stone - and a print profile - a multi-page critics essay from The New Yorker and features with The Cut, i-D, Paper, Nylon and many more. Where Honeymoon centered on the highs and lows of new love, Blame Game takes aim at toxic masculinity, sexism and the emotional labor of unreliable relationships. Blame Game was written in quarantine and recorded in Chicago over a week in August. The four new original songs are produced by Joe Reinhart (Hop Along, Joyce Manor, Modern Baseball, Remo Drive).
MP3 Album: $13.49 Download
Mike Rosenberg, better known as Passenger, is a multi-award winning, platinum-selling singer-songwriter from Brighton, England. Although still known for his busking, he long ago made the journey from street corners to stadiums most notably with 'Let Her Go', which reached number 1 in 19 countries and which has now notched more than two billion plays on YouTube. For his latest album "Songs For The Drunk and Broken Hearted" Rosenberg explains, I chose the album title because a lot of the songs are about drinking and the emotions felt around it he explains. There are personal references Rosenberg adds, Ive recently gone through a break-up, which is always a rough time but can actually be very inspiring too. I spent a few months going out and drinking too much which was fun and heartbreaking and awful all at once. Some of the material is personal and some of it is about other people, either people Ive met or fictional characters. Thats always been a Passenger thing: sad stories about people drenched in disappointment with that sense of what could have been.
2020 Deluxe Limited Edition LP of Becks 2019 album, Hyperspace, available December 4th! The LA native is partnering up with NASA for visual space missions tied to tracks from the album. Packaged in a holographic jacket; includes new 24-page booklet with AI images and NASA data for each track. The vinyl features two unreleased songs, Dark Places (Soundscape) and I Am The Cosmos (42420), plus brand-new 2020 mixes of Star, Hyperspace, See Through and Die Waiting.
Nothing about Call Me Spinster is ordinary. The closer you look at this trio of sisters from Chattanooga, Tennessee, the harder it is to locate something about their sound, background, or energy that delivers predictable results. From their arrangements that employ both pristine vocal harmonies and unorthodox instruments to the streaks of self-aware humor that sneak into their videos and social media presence, Call Me Spinster blurs old-timey traditions with modernized pop fun without ever landing in expected territory.
On their first EP of original material, Call Me Spinster manages to illuminate various keystones of their sound as they explore new impulses, the songs cohering around their steadfast musical vision, intricate personalities, and the type of telepathic musical connection that only siblings can share. Its a brief introduction to their wide-reaching but somehow singular sound, and a stellar starting point for becoming acquainted with a band thats truly unlike any other.
The desire for change stirs from the inside. We either listen to it-or not. Aluna chose to listen. After widespread critical acclaim as one-half of multi-platinum duo AlunaGeorge, the singer, songwriter, and producer established an unpredictable and undeniable signature sound on her 2020 solo debut, Renaissance.
Mac Miller's family announces a double-disc vinyl box set of his albums Swimming and Circles. Swimming In Circles collects Miller's two final studio albums, which were conceived by the late artist as companion albums, into one deluxe presentation. Now, fans will be able to listen to both releases on vinyl side by side for the first time, experiencing the full narrative arc expressed across the two albums. The new box set will be available on November 20, 2020 through Warner Records.
Circles was released in January 2020 and was the most pre-added album in Apple Music history upon its release. It also debuted at #3 on the Billboard 200 Chart, marking Miller's sixth consecutive Top 5 debut on the chart. The album was completed with the assistance of producer Jon Brion, with whom Miller worked on Swimming and had been working together on Circles at the time of his passing.
GRAMMY-winning artist James Blake releases a Limited-Edition Indie 12 Vinyl of his Before EP on December 18th. Paying homage to his London club days, BEFORE sees Blake return to his roots whilst showcasing the evolution of his music. For James, this EP is the expression of a yearning for the dancefloor elation, and a statement of finally having confidence to put his own voice on dancefloor rhythms.
Every December, Christchurch, NZ enjoys the start of summer as Saskatoon, SK begins to freeze over. For as far apart as these places may seem, you would never know it from the sound of Plastic Bouquet, the debut collaborative album between Saskatoon duo Kacy & Clayton and Christchurch singer and songwriter Marlon Williams.
While on tour across Europe in 2017, Kacy & Clayton quite literally stopped Marlon in his tracks. As if playing by divine design through the radio, the pairs Springtime of the Year immediately enchanted him. Soon thereafter, Marlon hopped a flight to Saskatoon and they wrote and recorded the bulk of what would become Plastic Bouquet. They unlocked undeniable chemistry.
With Plastic Bouquet, these three musicians find common ground in dusty country spun through a kaleidoscope of psychedelic soul and dreamy fifties delivery. They created an ethnosphere that is more than the sum of its parts. Its also the beginning of something very exciting.
The Avalanches new album, We Will Always Love You, will be released by Astralwerks on December 11. An exploration of the vibrational relationship between light, sound and spirit, The Avalanches have moved beyond the party-up exuberance of their youthful music to a tender, reflective sound infused with hard-earned life wisdom. Building on the sample-based approach of their classic albums Since I Left You and Wildflower, We Will Always Love You is their most song-oriented album yet, made with an array of guest singers and writers.
The Kills have compiled an extraordinary career spanning b-sides and rarities album titled, appropriately, Little Bastards. The songs date back from the bands first 7-inch singles in 2002 through to 2009. All of the material has been newly remastered for release on 2 x LP, CD & Digital and marks the first ever vinyl pressing for some of these tracks.
First ignited over trans-Atlantic mixtapes shared between two kindred spirits at the turn of the Millennium, the past two decades have seen The Kills master a savage balance, unleashing artful detonation and subtle vocal and guitar violence. Thats five albums and four EPs where Alison Mosshart and Jamie Hince reimagined the possibilities of modern duality - alchemizing garage rock, punk, and blues into smoke clouds, psychic carnage, and a smoldering nocturnal slink into a northwest passage between Outkast and Suicide. Their last album, Ash & Ice (2016), was universally lauded, and their most recent release - a 2018 cover of Saul Williams List Of Demands b/w Peter Toshs Stepping Razor marked 15 years since their first album as The Kills, 2003s Keep On Your Mean Side. As performers, their chemistry is unmatched and unfettered; magnetic and enthralling whether drenched in guitar feedback or delivering a piano-led torch song under a single spotlight. The Kills have transcended whatever genres first claimed them and inhabit an entirely unique place in music culture. They are themselves. Inimitable and unparalleled, Little Bastards is a musical refresher manifest as a shot of pure adrenaline. Enjoy the memories. Long may they blaze.
This opaque orange Fear of Death vinyl is limited edition and only available at independent record stores.
Fear of Death is a Serious Album about Serious Topics a doomed future, abandoning life in the city, and the inevitability of death. Its Heideckers biggest sounding and most fleshed out album yet featuring an all star band comprised of Weyes Bloods Natalie Mering (vocals and piano), Drew Erickson (Jonathan Wilson, Dawes), The Lemon Twigs Brian and Michael DAddario, Jonathan Rado, and string arrangements by Spacebombs Trey Pollard (Foxygen, Bedouine, The Waterboys, Natalie Prass).