The Bitter Truth is Evanescence’s first album of new, original music in almost ten years. It’s a return-to-force and an epic rock and roll album. Already-released songs, “Wasted On You,” “The Game Is Over,” and “Use My Voice,” have received early accolades from Elle, Billboard, SPIN, American Songwriter, and more, and showcase the “ferocious and hymnal” (The New York Times) sound that made Evanescence a household name, as well as the drama and powerhouse vocals that made Amy Lee “one of rock’s definitive voices” (Rolling Stone).

The perfect complement to the film available as a 5-LP 180-gram black vinyl set for the Zappa completist. Showcasing 69 total songs, with 12 previously unreleased recordings from archive along with the 1978 Saturday Night Live performance; 24 additional Zappa songs from the catalog spanning 4 decades; songs from Zappa's labels Straight / Bizarre Records; 2 classical compositions by Edgard Varese and Igor Stravinsky; and 26 Original Score cues newly composed by John Frizzell for the documentary.

Arctic Monkeys and War Child UK are proud to announce the release of Arctic Monkeys - Live At The Royal Albert Hall. All proceeds from the album will go to War Child UK to help fill what could be up to a £2 million deficit they are facing in 2021 caused by the devastating impact of Covid-19 on their fundraising. These funds are urgently needed to support those who are worst hit by the virus. 

Recorded at the start of the band’s Tranquility Base Hotel + Casino tour, Arctic Monkeys - Live At The Royal Albert Hall, features 20 of the band’s finest moments to date.

“On June 7, 2018 we played a very special show at London’s Royal Albert Hall. All the proceeds from that memorable night were donated to War Child UK in support of the vital work they do protecting, educating and rehabilitating children who have experienced the trauma of conflict and the horror of war. The situation that was bad in 2018 is now desperate and those children and their families need our help more than ever. To enable War Child UK to reduce their funding deficit and continue their valuable work, we are happy to be able to release a live album, recorded that evening at The Royal Albert Hall. All proceeds will go direct to the charity. We thank all our fans in advance for their support of this release and in turn for their support of War Child UK” - Arctic Monkeys.

In 2018, Margo Price claimed her rock star status at the Mother Church of Country Music. She was headlining the Ryman Auditorium for the first time ever, in a sold-out run of three nights that she had admittedly spent more time planning than her wedding. Now, Margo revisits the career-changing residency with the release of a new live album, Perfectly Imperfect at The Ryman. With special guest appearances from Jack White, Emmylou Harris and Sturgill Simpson! Limited Pressing Double LP

Grammy nominated Shawn Mendes returns with his fourth studio album Wonder, the follow up to 2018’s platinum Shawn Mendes.  Includes the first single, also entitled “Wonder” and 13 other tracks recorded over the course of 2020.  “Wrote an album. It’s called “Wonder”.  it really feels like a piece of me has been write down on paper and recorded into song. I tried to be as real and as honest as I’ve ever been.  It’s a world and a journey and a dream and an album I’ve been wanting to make for a really long time.”

A 7” singles box set comprising all of Amy’s singles from the Frank, Back To Black and Lioness: Hidden Treasures albums. Tracks include ‘Stronger Than Me’, ‘Rehab’ and ‘Love Is A Losing Game’, all of which won the Ivor Novello Award for Amy in 2004, 2007 and 2008. The set also includes the Grammy Award winning ‘Body and Soul’, a duet with Tony Bennett. The singles are housed in individual picture sleeves and pressed on black vinyl. The box also features a 20-page lyrics booklet and a set of art cards.

Also Available: The Collection [5CD Box Set]

Relive the soundtrack from “The Walking Dead: Saints & Sinners” VR zombie experience. The gripping complete collection brings to life the horrifying journey through walker-infested New Orleans. This Red/Green/Clear Smoke colored 3LP Set features 56 Bayou-inspired songs and compositions by Michael David Peter & Joshua Mosely, with muddy re-imaginings of songs like “When The Levee Breaks”, “In The Pines” and “When The Saints Go Marching In”. Immerse and ask yourself: are you a saint or a sinner?

Also available on 2CD with Alternative Cover

Back in 1970 and following a period of illness and recuperation, singer-songwriting troubadour Cat Stevens re-emerged with a new record deal with Island Records and a spiritual and artistic rebirth. ‘Mona Bone Jakon’, his first album for Island, showcased a markedly different change in direction for Cat, unveiling with it a remarkable set of new compositions that included classics like ‘Trouble’, ‘Maybe You’re Right’ and the UK hit single ‘Lady D’Arbanville’. To commemorate the album’s 50th anniversary comes this definitive super deluxe box set of ‘Mona Bone Jakon’. Sounding as fresh as the day it was recorded, the original album is represented here by a brand new 2020 remaster of ‘Mona Bone Jakon’ by Geoff Pesche at Abbey Road, overseen by original producer Paul Samwell-Smith 2020 on CD, as well as a new 2020 Mix by David Hefti on both CD and LP. The set also includes an exclusive third CD of previously unreleased demos, and a fourth featuring 18 live performances from 1970/71. This box is rounded out with a live 12” etched vinyl E.P. of a rare audience recording of ‘Live At Plumpton Jazz & Blues Festival’ from August 1970, and with a BluRay disc featuring the original promo video of ‘Lady D’Arbanville’, plus eight live TV performances, and the HD audio of the new Mona Bone Jakon 2020 Mix. Also included is a 98-page beautifully illustrated hardcover book with extensive new sleevenotes. Finally there’s also a selection of memorabilia including Island Records press kit, two Island press photos, a replica 1970 Plumpton Jaxx and Blues flyer, a Cat Stevens tour sticker and ‘dustbin’ greetings card and pop art print in a card envelope.

Tea For The Tillerman is arguably Cat Stevens’ best known and most cherished album. Originally released in November 1970, Universal Music will be celebrating it’s 50th anniversary in style on 20th November 2020 with a multi-format release suite, including a very special 5CD/BD/1LP/12” Live E.P. Super Deluxe Edition reissue of one of music’s most classic albums.

The Super Deluxe set is features a brand new 2020 Remaster of the record, as well as a brand new 2020 Mix (overseen by Yusuf Islam producer / engineer David Hefti), with audio mixed from the original 1970 Island Records multi-track master tape. The 2020 Mix also appears on the 1LP which is 100% exclusive to this box set.

CD3 features Yusuf’s brand new interpretations of these wonderful songs, Tea For The Tillerman², which is released on stand-alone formats on 18th September 2020. Yusuf has chosen to include it here in order to present the very most complete edition of the original album, and to show how these songs have evolved over their 50 year lifespan.

CD4 features demos, outtakes and alternate versions, including two wholly previously unreleased tracks (“Can This Be Love?” and “It’s So Good”), while CD5 features 25x live performances including 5 previously unreleased tracks recorded Live At The Troubadour, 4 previously unreleased live performances from the 8th December 1970 show at Fillmore East, and 6 previously unreleased live from British, French and German TV performances in 1970/71.

The Live At The Troubadour performance is also included in full on the live 12” E.P. (exclusive to this box).

The Super Deluxe box set is rounded out with a BluRay featuring HD 24bit/96khz audio of the 2020 Mix, as well as 8x previously unreleased live TV performances, 7 tracks performed live at KCNET studios, Los Angeles, and the official “Father And Son” video.

Tea For The Tillerman (Super Deluxe Edition)

For the past ten years, San Francisco rock / post-metal luminaries Deafheaven have built one of the most compelling discographies in metal, one that has challenged both the modus operandi and perceptions of the genre. Each critically acclaimed release widened the scope of their particular views of what rock and metal can be. Set to embark on a world tour earlier this year to celebrate their 10th anniversary, Deafheaven had to switch gears when COVID canceled all gatherings across the world, instead teaming with longtime producer Jack Shirley at Atomic Garden studios to bring the show they planned to perform in a studio sessions format. 10 Years Gone includes the first song they ever wrote in "Daedalus" from Demo, which also serves as the first single released from this album, along with fan favorites like 'Dream House' and 'Vertigo' that have an added power in this setting.

Every December, Christchurch, NZ  enjoys the start of summer as Saskatoon, SK  begins to freeze over. For as far apart as these places may seem, you would never know it from the sound of  Plastic Bouquet, the debut collaborative album between Saskatoon duo Kacy & Clayton and Christchurch singer and songwriter Marlon Williams.

While on tour across Europe in 2017, Kacy & Clayton quite literally stopped Marlon in his tracks. As if playing by divine design through the radio, the pair’s “Springtime of the Year” immediately enchanted him.  Soon thereafter, Marlon hopped a flight to Saskatoon and they wrote and recorded the bulk of what would become Plastic Bouquet. They unlocked undeniable chemistry.

With Plastic Bouquet, these three musicians find common ground in dusty country spun through a kaleidoscope of psychedelic soul and dreamy fifties delivery.  They created an ethnosphere that is more than the sum of its parts. It’s also the beginning of something very exciting.

The Avalanches’ new album, We Will Always Love You, will be released by Astralwerks on December 11. An exploration of the vibrational relationship between light, sound and spirit, The Avalanches have moved beyond the party-up exuberance of their youthful music to a tender, reflective sound infused with hard-earned life wisdom. Building  on  the  sample-based  approach  of  their  classic  albums Since I Left  You and Wildflower, We Will Always Love You is their most song-oriented album yet, made with an array of guest singers and writers.

The Kills have compiled an extraordinary career spanning b-sides and rarities album titled, appropriately, Little Bastards. The songs date back from the band’s first 7-inch singles in 2002 through to 2009. All of the material has been newly remastered for release on 2 x LP, CD & Digital and marks the first ever vinyl pressing for some of these tracks.

First ignited over trans-Atlantic mixtapes shared between two kindred spirits at the turn of the Millennium, the past two decades have seen The Kills master a savage balance, unleashing artful detonation and subtle vocal and guitar violence. That’s five albums and four EPs where Alison Mosshart and Jamie Hince reimagined the possibilities of modern duality - alchemizing garage rock, punk, and blues into smoke clouds, psychic carnage, and a smoldering nocturnal slink into a northwest passage between Outkast and Suicide. Their last album, Ash & Ice (2016), was universally lauded, and their most recent release - a 2018 cover of Saul Williams’ “List Of Demands” b/w Peter Tosh’s “Stepping Razor” – marked 15 years since their first album as The Kills, 2003’s Keep On Your Mean Side. As performers, their chemistry is unmatched and unfettered; magnetic and enthralling whether drenched in guitar feedback or delivering a piano-led torch song under a single spotlight. The Kills have transcended whatever genres first claimed them and inhabit an entirely unique place in music culture. They are themselves. Inimitable and unparalleled, Little Bastards is a musical refresher manifest as a shot of pure adrenaline. Enjoy the memories. Long may they blaze.

This opaque orange Fear of Death vinyl is limited edition and only available at independent record stores.

Fear of Death is a Serious Album about Serious Topics – a doomed future, abandoning life in the city, and the inevitability of death. It’s Heidecker’s biggest sounding and most fleshed out album yet featuring an all star band comprised of Weyes Blood’s Natalie Mering (vocals and piano), Drew Erickson (Jonathan Wilson, Dawes), The Lemon Twigs’ Brian and Michael D’Addario, Jonathan Rado, and string arrangements by Spacebomb’s Trey Pollard (Foxygen, Bedouine, The Waterboys, Natalie Prass).

Nothing about Call Me Spinster is ordinary. The closer you look at this trio of sisters from Chattanooga, Tennessee, the harder it is to locate something about their sound, background, or energy that delivers predictable results. From their arrangements that employ both pristine vocal harmonies and unorthodox instruments to the streaks of self-aware humor that sneak into their videos and social media presence, Call Me Spinster blurs old-timey traditions with modernized pop fun without ever landing in expected territory.

On their first EP of original material, Call Me Spinster manages to illuminate various keystones of their sound as they explore new impulses, the songs cohering around their steadfast musical vision, intricate personalities, and the type of telepathic musical connection that only siblings can share. It’s a brief introduction to their wide-reaching but somehow singular sound, and a stellar starting point for becoming acquainted with a band that’s truly unlike any other.

50 years following the release of his self-titled first solo album McCartney, featuring Paul playing every instrument and writing and recording every song, Paul McCartney will release McCartney III on December 11th. Paul hadn’t planned to release an album in 2020, but in the isolation of “Rockdown,” he soon found himself fleshing out some existing musical sketches and creating even more new ones. Before long an eclectic collection of spontaneous songs would become McCartney III: a stripped back, self-produced and, quite literally, solo work marking the opening of a new decade, in the tradition of 1970’s McCartney and 1980’s McCartney II. Recorded earlier this year in Sussex, McCartney III is mostly built from live takes of Paul on vocals and guitar or piano, overdubbing his bass playing, drumming, etc. atop that foundation. McCartney III spans a vast and intimate range of modes and moods, from soul searching to wistful, from playful to raucous and all points between — captured with some of the same gear from Paul’s Rude Studio used as far back as 1971 Wings sessions. And Paul's array of vintage instruments he played on the new album have an even more storied history, including Bill Black of Elvis Presley's original trio's double bass alongside Paul's own iconic Hofner violin bass, and a mellotron from Abbey Road Studios used on Beatles recordings, to name but a few. Just as McCartney’s 1970 release marked Paul’s return to basics in the wake of the biggest band break-up in musical history, and the 1980 avant-garde masterpiece McCartney II rose from the ashes of Wings, McCartney III finds Paul back on his own, turning unexpected circumstances into a personal snapshot of a timeless artist at a unique point in history.

Mac Miller's family announces a double-disc vinyl box set of his albums Swimming and Circles. Swimming In Circles collects Miller's two final studio albums, which were conceived by the late artist as companion albums, into one deluxe presentation. Now, fans will be able to listen to both releases on vinyl side by side for the first time, experiencing the full narrative arc expressed across the two albums. The new box set will be available on November 20, 2020 through Warner Records.

Circles was released in January 2020 and was the most pre-added album in Apple Music history upon its release. It also debuted at #3 on the Billboard 200 Chart, marking Miller's sixth consecutive Top 5 debut on the chart. The album was completed with the assistance of producer Jon Brion, with whom Miller worked on Swimming and had been working together on Circles at the time of his passing.

GRAMMY-winning artist James Blake releases a Limited-Edition Indie 12” Vinyl of his Before EP on December 18th. Paying homage to his London club days, BEFORE sees Blake return to his roots whilst showcasing the evolution of his music. For James, this EP is the expression of “a yearning for the dancefloor elation”, and a statement of “finally having confidence to put his own voice on dancefloor rhythms”.

Mike Rosenberg, better known as Passenger, is a multi-award winning, platinum-selling singer-songwriter from Brighton, England. Although still known for his busking, he long ago made the journey from street corners to stadiums – most notably with 'Let Her Go', which reached number 1 in 19 countries and which has now notched more than two billion plays on YouTube. For his latest album "Songs For The Drunk and Broken Hearted" Rosenberg explains, “I chose the album title because a lot of the songs are about drinking and the emotions felt around it” he explains. There are personal references Rosenberg adds, “I’ve recently gone through a break-up, which is always a rough time but can actually be very inspiring too. I spent a few months going out and drinking too much which was fun and heartbreaking and awful all at once. Some of the material is personal and some of it is about other people, either people I’ve met or fictional characters. That’s always been a Passenger thing: sad stories about people drenched in disappointment with that sense of what could have been.”