Indie Exclusive Releases

Wisely armed with bliss to fight our age of calamity, LA psych-kraut explorers Hooveriii return with their pastoral and expansive new album “Pointe.” “Pointe” is not the sound of Hooveriii maturing. It’s the sound of a band at the height of their power ascending.

Metric’s relentless pursuit of timeless songwriting and fiercely independent ethos have cemented their place as one of the most essential and ahead-of-the-curve bands of the last two decades. By constantly upping themselves across nine unpredictable and adventurous studio albums, the trailblazing Toronto outfit founded by songwriting and production partners Emily Haines and Jimmy Shaw along with bandmates Joshua Winstead and Joules Scott Key is proof that you can amass an untouchable catalog without ever signing to a major label or changing your lineup. Their latest LP, Formentera II, out October 13 via their label Metric Music International and Thirty Tigers, is a testament to their singular purpose. It stands among their best and most genre-defying work and closes the 18-song cycle started by 2022’s critically acclaimed Formentera.

2023 is really starting to heat up for rock band Beartooth, now with 1.2 billion career streams, over 800,000 records sold, “Best International Artist” win at the Heavy Music Awards 2022, and recent nomination for ‘Best Heavy Record’ for their US radio hit single “Riptide” at the A2IM Libera Awards. Beartooth hit the top of both the Billboard Mainstream Rock & US Active Rock radio charts in May 2023, landing at #1 with their Papa Roach collab single “Cut The Line”. Thus begins a new era for the band, marked by their most successful UK & European spring headline tour (headlining at Wembley Arena), and 2-month US Co-Headline tour with Trivium, top billing at Sonic Temple Festival and “Sunshine!” fan track release in April (currently #1 on SiriusXM Octane’s Big Uns Countdown). Beartooth now prepare to release their biggest and most commercial rock record to date, as follow-up to their 2021 chart topping album “Below” which debuted at #30 on the Billboard 200 and cleaned up on Luminate’s US Sales charts (#1 Alternative, Rock, and Hard Rock, #2 Vinyl, Independent and Current Album sales).

Artist Quote on Album: “The Surface” “Beartooth’s entire discography has been snapshots of my inner monologue and emotional state over the years with a recurring theme, depression and self loathing. It’s been tough to understand why I’ve felt the way I do for so long. During the pandemic I was faced with 2 distinct paths in life. One, I continue doing nothing to manage the realities of my mental health and continue down a path of self destruction, ultimately ending in my demise. Two, choose to do the work needed to maintain a healthier relationship with myself, no matter how difficult or painful.

This album is the story of my beginnings in the new world I’ve created for myself. One focused on health, self love, positivity, understanding, hard work, and most of all second chances. At the end of the day, life is short for all of us. We can’t escape the end, so why not make friends with it and live in a world focused on living a personally fulfilling life.” – Caleb Shomo of Beartooth

- 20th Anniversary of the release of AFI's Platinum-certified 6th album.

- Only 20,000 copies were pressed on vinyl originally and demand for the title is extremely high and going for a lot of money online.

- One-Time-Pressing for this ThinkIndie Exclusive Edition.

Steve Miller Band’s eighth studio album, The Joker, was a huge turning point for the band. Released in 1973, the platinum-certified record features the #1 title track which became a worldwide hit. To celebrate its 50th anniversary, this limited-edition gold vinyl pressing is available exclusively through indie retail stores.

Also Available 2CD, Super Deluxe Edition 3LP + 7in, Indie Exclusive Limited Edition Gold LP

Green Day’s third studio album Dookie was released in February 1994, and has since sold over 15 million copies worldwide, including 10 million in the US (RIAA Diamond certified). The album is an iconic punk-rock-pop masterpiece and one of the most influential and defining albums of the 1990’s. It spawned five hit singles that are still hugely popular songs: “Longview”, “Basket Case”, “Welcome to Paradise”, “When I Come Around”, and “She”.

Limited Edition Super Deluxe Box Sets (vinyl and CD) will be released on September 29, 2023, to celebrate the 30^th Anniversary of this landmark album.

In addition to the original album, the super deluxe box sets will include a wealth of rare and unreleased material. The legendary Woodstock ’94 performance is included – previously released as a very limited Record Store Day vinyl release. The 6 LPs (or 4 CDs) also feature 17 unreleased demos, 6 studio outtakes (3 unreleased), and a 17-track unreleased club show from Barcelona in 1994.

The deluxe vinyl box features the six LPs pressed on 6 different varieties of brown vinyl, plus a 36-page 12” x 12” book. The box also includes many fun memorabilia items inspired by the “Dookie” artwork: Doggie Poop Bags, Air-Freshener, Poster, Color-in litho, Button Set, Magnet Sheet, Postcard, Bumper Sticker and Paper Plane.

The CD box includes 4 CDs (the same audio content as the vinyl box), 48-page book, Button Set, Air-Freshener, Magnet and two stickers.

Jason Isbell's songs are filled with ghosts. They're haunted by spirits both welcome and unwelcome, by the personal and historical legacies that make us who we are. Nowhere Is this more evident than on his 2013 breakthrough album Southeastern. Isbell offers confessions. reflections. and promises that contront and make communion with those who have come before and remain wIth us still. Its twelve tracks represent an extended meditation on the concept articulated by another celebrated southern storyteller, author William Faulkner: "The past is never dead. It isn't even past."

At this point, it is almost impossible to say what makes for a classic Animal Collective album; the standard fluctuates with the weather, your temperament, whatever chemicals may or may not waft through your mind. But from start to finish, first listen to last, Isn’t It Now? absolutely lands as a classic, its mix of playfulness and earnestness, glittery pop and tessellated textures seeming to synthesize and update all that has ever made and still makes this band so compelling. It is experienced and wise, energized and young, the work of four people committed to finding the frontier of a beginner’s mind, together. Recorded, mixed and co-produced by Russell Elevado (D’Angelo, The Roots, Kamasi Washington).

Revered Atlanta rock 'n' roll duo '68 will make their awaited return next month for the release of their 4th full-length album, "Yes, and..." Due out September 29th from Pure Noise Records, '68's latest offering is their hardest rocking record to date. A sonic explosion of heavy riffs and frantic rhythm abound on the band's massively anticipated follow up to 2021's critically acclaimed "Give One Take One." Commenting on the upcoming album, vocalist/guitarist Josh Scogin says: "This is by far the heaviest album ’68 has ever done.  It wasn’t on purpose, it just sort of evolved into what it is.  As soon as we could see the full gravitas of the album, we just leaned into it. Many of the bluesy tracks didn’t find a home and some of the parts that were on the fence, we doused with gasoline.  For us, the pendulum has never been extended so far, in one direction. This is exciting because it was obvious how this album needed to turn out and it pretty much solidifies how the next album will end up as well."

"Flying Wig" is an album of recurrent dualities; a can of paradoxes, a box of worms. The pine-surrounded cabin studio where Banhart was “constantly listening to The Grateful Dead” somehow birthed something slick, city pop-adjacent and eno-esque. It’s the actualisation of a “precious friendship” with producer Cate Le Bon - a coming together prophesied by the mirror-image titles of their early solo albums (Banhart’s “Oh Me Oh My” / Le Bon’s “Me Oh My”), a tenderness built on crude haircuts (“we finally met, soon after she was cutting my hair with a fork and that was that”) and home-made tattoos.

Sometimes, Mitski says, it feels like life would be easier without hope, or a soul, or love. But when she closes her eyes and thinks about what’s truly hers, what can’t be repossessed or demolished, she sees love. “The best thing I ever did in my life was to love people,” Mitski says. “I wish I could leave behind all the love I have, after I die, so that I can shine all this goodness, all this good love that I’ve created onto other people.” She hopes her newest album, The Land Is Inhospitable and So Are We, will continue to shine that love long after she’s gone. Listening to it, that’s precisely how it feels: like a love that’s haunting the land.

“This is my most American album,” Mitski says about her seventh record, and the music feels like a profound act of witnessing this country, in all of its private sorrows and painful contradictions. In this album, which is sonically Mitski’s most expansive, epic, and wise, the songs seem to be introducing wounds and then actively healing them. Here, love is time-traveling to bless our tender days, like the light from a distant star.

The album is full of the ache of the grown- up, seemingly mundane heartbreaks and joys that are often unsung but feel enormous. It’s a tiny epic. From the bottom of a glass, to a driveway slushy with memory and snow, to a freight train barreling through the Midwest, and all the way to the moon, it feels like everything, and everyone, is crying out, screaming in pain, arching towards love. Love is that inhospitable land, beckoning us and then rejecting us. To love this place — this earth, this America, this body — takes active work. It might be impossible. The best things are.

Remastered version of the album, housed in the original jacket with a printed sleeves and pressed on 180gm Coke Bottle Clear vinyl. Indie Exclusive. Limited Edition.

The Remastered albums are available in the following formats: Limited Edition Super Deluxe 10CD/Blu-ray, Deluxe 2CD, CD, LP, Limited Edition Deluxe 4LP, Indie Exclusive Limited Edition Coke Bottle Clear LP, Half Speed LP

The sophomore album from 11x Platinum-certified, 43x Gold-certified, and GRAMMY®-winning rock icon COREY TAYLOR .“I have no fear when it comes to music. None,” Corey Taylor declares. “It feels so good to really lean into the things that I've been chomping at the bit to do.” Those “things”? The 13 diverse, unforgettable songs on CMF2, ranging from the punchy, timeless first single “Beyond” to “Someday I’ll Change Your Mind,” a soaring, sentimental stunner with an infectious chorus. The songs move seamlessly from the punk rawness and anthemic rallying cry of “We Are The Rest” to the acoustic lament “Breath Of Fresh Smoke” to “Post Traumatic Blues,” which has a wild sensibility that echoes the lyrical topic of PTSD.

Killer Mike’s MICHAEL marks the celebrated MC’s first solo project since 2012’s R.A.P. Music. MICHAEL introduces the world to the totality of Michael Render, a lifelong rap fiend whose consciousness is steeped in the sounds of community that raised him – multiple eras of southern rap flows, Sunday church service and barbershop discourse. A 14-track album produced by No ID featuring the likes of Future, Young Thug, Ty Dolla $ign, Curren$y, André 3000, 6LACK, EL-P, Blxst, Eryn Allen Kane and more! 2 LP set includes a 24” x 12” pull-out insert.

Multi-platinum selling artist Thirty Seconds to Mars makes a triumphant return with their sixth studio album, It’s The End Of The World But It’s A Beautiful Day. The record heralds a new era for the band, one that not only explores the darker sides of the human experience but the hope as well, an arresting reminder that even in the face of seemingly impossible obstacles, there is still beauty to be found in the world.

Bahamas’ sixth full-length album, BOOTCUT, sees Afie Jurvanen lean into his (Alt and Old-Time) Country music influences. Produced by Grammy-nominated Robbie Lackritz (Jack Johnson, Peach Pit) and Dan Knobler (Allison Russell), the album features Country legend (and current Eagle) Vince Gill, pedal-steel maestro Russ Pahl (Kenny Rogers), bassist Dave Roe (Johnny Cash), harmonica player Mickey Raphael (Willie Nelson) and many more.

Celebrating the 25th Anniversary of Beastie Boys’ multiplatinum Hello Nasty album, this deluxe vinyl reissue is a rare version of the album that was released as a limited run in 2009. It includes two additional LPs with 21 bonus tracks (remixes, B-sides, rarities) and features the singles “Intergalactic” (certified platinum), “Body Movin’” and “The Negotiation Limerick File.” Co-produced by Beastie Boys and Mario Caldato Jr., it’s a record that embraces a kaleidoscope of musical influences, with hat-tips to Latin psych-rock, Brazilian samba, jazz-funk, dub, post-punk and an impressive collection of collaborators ranging from reggae vagabond Lee “Scratch” Perry to Cibo Matto’s Miho Hatori. Pressed on 180g vinyl, this Deluxe 4 LP boxset is housed in a hardcover slipcase and includes a removable sew-on patch. Limited Edition.

Golden State, the second full-length from singer/songwriter Logan Ledger, marks a stylistic departure from the timeless country noir of Ledger’s critically lauded debut. This time around, Ledger worked with producer Shooter Jennings, dreaming up a lush and spirited sound partly inspired by the California country-rock scene of the late-’60s and early-’70s. The result is a sublime setting for Ledger’s layered meditations on loss and despair and the search for transcendence.

Rustin’ in the Rain is the eagerly anticipated new album from singer-songwriter Tyler Childers. This collection of new songs is Childers’ sixth studio album, and the follow up to his critically acclaimed release Can I Take My Hounds to Heaven?. 

Rustin’ in the Rain is produced by Childers alongside his longtime band The Food Stamps, and the album features the heartfelt single “In Your Love,” which Tyler first teased to fans earlier in 2023 during his Bonnaroo Music Festival performance.

Black Classical Music, the first official solo release of the acclaimed UK drummer, Yussef Dayes. Across 19 tracks, it melds the spirit of everything from 70s funk, reggae and Senegalese percussion while simultaneously nodding to furious dancefloor pacings of the soundsystem continuum. At every turn, Yussef’s distinctive drum licks and Rocco Palladino’s bass are the sturdy anchors; aided by Charlie Stacey/Elijah Fox (keys/synths), Venna (saxophone) and a whole host of honorable features including: Chronixx, Jamilah Barry, Tom Misch, Shabaka Hutchings, Miles James, Sheila Maurice Grey, Nathaniel Cross, Theon Cross and the Chineke! Orchestra, the first professional orchestra in Europe to be made up of majority Black and ethnically diverse musicians.

Yussef Dayes’ rise can be first linked to the short lived duo Yussef Kamaal, with keyboardist Kamaal Williams who released one album Black Focus, in 2016.  2019/2020 birthed two EPs and one album within close proximity: Blackfriars, and Duality, and sandwiched in between, What Kinda Music, a collaboration with Tom Misch. Since then, his list of collaborators has blossomed to include an official remix of Pa Salieu’s “Frontline”, drums on “Motor City Madness (People Mover Remix)” for Waajeed, and on Wizkid’s “Made In Lagos” album, plus production for Kali Uchis (“Blue”) and Kehlani (“Hate The Club”) and 2022’s joint release with Soulection entitled Live At Joshua Tree.

Born out of a global pandemic, ‘Boundless,’ is the third full length album from With Honor. Lyrically, the record focuses on nature to explore spiritual themes of self-healing, and inner peace as well as tackling socio-economic issues of poverty, gun-violence, and patriarchy. Written and recorded over a two year span, ‘Boundless’ bleeds reconnection of the band’s members; to each other, to themselves, and to the world around. The title itself aims to highlight the band’s shared belief that we, when harnessing the power of our spirits, hearts, and minds, are without limits.

Royal Blood ignite an epic summer ahead as they announce the September 1st release of their fourth album ‘Back To The Water Below’.

From the very beginning, Royal Blood’s story has been one of two life-long friends whose shared passion and dedication for writing and performing has led them on a remarkable adventure together – a story that has yet to be repeated, and is a feat as rare as it is remarkable. Long before Royal Blood were even formed, they spent years together in various bands playing to half empty bars around Brighton - and only then did they suddenly become a decade-in-the-making overnight success story. One day they were plotting how to recoup the meagre £300 they had spent on their first recording, but within a year they were at the top of UK album charts, storming Glastonbury and winning the BRIT Award for Best British Group.